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New Faces - New Sounds
by C. Michael Bailey
The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...
The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...
Results for pages tagged "Teddy Wilson"...
Teddy Wilson
Born:
His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his technique became graceful, almost elegant. He was a gifted artist who used the full range of his instrument to his advantage. His recordings with Billie Holiday and Benny Goodman’s trio and quartet during the 1930s are considered classics. Wilson was born in Austin, TX in 1912, his parents were both schoolteachers
Newk, Dave (And Paul), Fats & More
by Marc Cohn
Have you gotten used to writing or typing 2020 yet? I'm getting there just from filling out Gift and Messages paperwork and metadata! But let's get to the music, starting with a few 21st century tunes from Orrin Evans (putting the street beat to Ornette), trumpeter John McNeil and Russian saxophonist Makar Kashitsyn. Then Bobby Broom ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson\'s approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Nat "King" Cole: Hittin’ the Ramp: The Early Years (1936-1943)
by Victor L. Schermer
While he achieved fame and fortune as a pops crooner of the 1950s-60s, Nat “King" Cole firmly occupies a place in jazz history. Unlike Frank Sinatra, Tony Bennett, Rosemary Clooney and others who began their careers as singers, Cole started out as a pianist, composer/arranger, and band leader, working small clubs in Chicago, soon adding vocals ...
"Time After Time" by Jule Styne and Sammy Cahn
by Tish Oney
In 1946 Jule Styne (1905-1994) and Sammy Cahn (1913-1993) collaborated to write a song for Frank Sinatra for the film It Happened In Brooklyn. Sarah Vaughan was the first artist to record the new gem that same year, backed by the Teddy Wilson Quartet. In 1957 Sinatra finally recorded it with the Nelson Riddle Orchestra. The ...
Nichols, Newk with Kenny/Elmo, Prez & More
by Marc Cohn
We're rotating through our 2019 centenarians--this week Herbie Nichols with tracks from his first Blue Note LP. Our artist log tells me it's time for another deep dive into the vault, including another piano faceoff (because you loved the last one): this time Fats Waller versus Teddy Wilson & Art Tatum. There's more Newk too, recordings ...
Dexter Payne: All Things, All Beings
by Chris M. Slawecki
Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as “difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to ...
Billie Holliday and Ella Fitzgerald (1936 - 1945)
by Russell Perry
Billie Holiday began recording at 18, in a 1933 session with Benny Goodman and was musically active until her death at 44 in 1959. Ella Fitzgerald also began recording at 18 (in 1935 as the singer with Chick Webb), but in her case, her career surged again in the mid-1950's with the songbook series on Verve. ...
