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Ehud Asherie with Harry Allen: Upper West Side
by Dan Bilawsky
The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin, Jerome Kern and Tadd Dameron, but when the album reaches its ...
Bob Brookmeyer: Jack of All Trades, Master of Valves
by Jack Bowers
Bob Brookmeyer, a Renaissance man among jazz musicians who died December 15, 2011, four days before his eighty-second birthday, will be remembered as many things: composer, arranger, musician, educator, outspoken arbiter who brooked no nonsense and wasn't shy about letting others know when he believed they were not giving the music he loved the best they ...
SuperSax Me
by Jack Bowers
Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...
Cat Conner: Cat Tales
by C. Michael Bailey
Cat ConnerCat TailesSelf Produced2011 One of the greatest jazz performance challenges is playing and singing ballads slow...sometimes called “calendar slow." The trick is playing slowly without dragging or stalling. It is simple physics, the difference between velocity and momentum. Simple tempo may be understood in terms of ...
Cat Conner: Cat Tales
by Jack Bowers
After thirty years as a jazz singer, California-based Cat Conner has recorded her first album, Cat Tales, an endeavor that is long overdue but no less welcome. For those who haven't heard Conner and may be curious as to what she and her compatriots have to offer, here's a brief summary. Lustrous, pleasing voice, crystal-clear articulation: ...
Guinness Cork Jazz Festival: Cork, Ireland October 28-31, 2011
by Ian McLaren
Guinness Cork Jazz Festival 2011Cork, IrelandOctober 28-31, 2011One of the few nice things about October is the pleasure of returning to Cork, the perfect city for a jazz festival, and being met by that great Irish hospitality. Arriving at the airport, all shiny and modern, and wondering how to get into town, suddenly ...
"Modern Sounds," or: Running a Marathon in Full Body Armor
by Jack Bowers
From October 19-25 Betty and I were at the Los Angeles Marriott Airport Hotel to attend Modern Sounds, the L.A. Jazz Institute's four-day salute to West Coast jazz, followed by a day-long tribute to Stan Kenton on the hundredth anniversary of the legendary bandleader's birth. We arrived a day early to be primed and ready for ...
Ted Rosenthal Trio: Out of This World
by Edward Blanco
Borrowing from The Great American Songbook is a standard practice for many jazz artists, who include one or more pieces when rounding out a repertoire of primarily new material. Not so for pianist Ted Rosenthal, whose affinity for music from the Songbook is reflected on at least two previous recordings, Rosenthology (Concord Jazz, 1994) and One ...
Alan Broadbent Trio: New York, NY, September 24, 2011
by Dan Bilawsky
Alan Broadbent TrioKitanoNew York, NYSeptember 24, 2011 Park Avenue's Kitano briefly seemed like Bradley's in its heyday, as piano jazz royalty like Fred Hersch, Bill Mays and Andy Bey converged on a single location to take in the sounds of one of their own. While Alan Broadbent is rightly hailed ...
Jimmie Lunceford: The Complete Jimmie Lunceford Decca Sessions
by David Rickert
When saxophonist Jimmie Lunceford signed to the Decca label in 1934 he was running one of the best orchestras in the US. He had signed a deal to appear at the Cotton Club (where bandleaders Duke Ellington and Cab Calloway had recently launched into stardom) and was frequently beating others in battles of the bands, all ...
