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Iro Haarla: Ante Lucem for Symphony Orchestra and Jazz Quintet
by Mark Sullivan
Finnish pianist/harpist/composer Iro Haarla devoted the early part of her career to the music of her then-husband, the late drummer/composer Edward Vesala. On her own she has released two quintet albums on ECM: Northbound (2005) and Vespers (2010). That quintet (with a couple of personnel substitutions) is integrated into an extended composition with symphony orchestra on ...
Nacka Forum: We Are The World
by Mark Corroto
Doom and gloom begone, now for some serious fun. Nacka Forum is back with their fifth recording. The Swedish/Danish quartet cherry picks the biography of jazz for the juiciest and sweetest music, combining systems and methodologies from Ornette Coleman to Sun Ra to create a high-spirited concoction of jazz entertainment. Spinning We Are The ...
Torbjörn Zetterberg & Den Stora Frågan: Om Liv & Dd
by Stefano Merighi
Torbjörn Zetterberg è un forte bassista svedese attivo da tempo attraversando post-bop e musica più ricercata, come questa di Om Liv & Död, eseguita da un ensemble internazionale che rafforza la collaborazione del leader con la notevole trombettista portoghese Susana Santos Silva e il nostro Alberto Pinton da anni figura di spicco della scena scandinava.
Blameful Isles: Strange But Not Entirely Unattractive
by Dave Wayne
Essentially a one-man-band based in Sweden, Blameful Isles is one of many artists who are actively rediscovering and re-processing the sounds of the early jazz-rock movement of the 1970s. Overall, the ongoing re-vitalization of jazz-rock and fusion has been a really good thing. For audiences of a certain age, the mere sound of a real Fender ...
Mats Gustafsson: MG50 Peace & Fire
by Mark Corroto
Mats Gustafsson at fifty. Name another artist who has had this significant and widespread effect on jazz, noise, free improvisation, alternative rock, electronica, and free jazz. Besides John Zorn, that pool is quite shallow. Gustafsson's music seems to attract innovative players into imaginative situations. If you are a fan, this 50th birthday celebration recorded in October, ...
Alberto Pinton e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Alberto Pinton: Intenzione e ambizione di creare musica mia, che rifletta la mia esperienza personale, quello che jazz, composizione e improvvisazione significano per me. AAJI: La qualità che desidero nei musicisti che suonano con me. A.P.: Totale libertà espressiva, modestia artistica, ...
Alberto Pinton Noi Siamo: Resiliency
by Alberto Bazzurro
Fra reminiscenze dolphyane, in particolare quando imbraccia il clarinetto basso, o piuttosto riconducibili all'Original Quartet ornettiano, per l'estetica complessiva, Alberto Pinton si ricollega in maniera nient'affatto supina o scontata alle fonti di quell'avanguardia storica (nonché, ovviamente, storicizzata) a cui evidentemente sente di appartenere. Dei sei brani complessivi, ripresi nel corso di un'esibizione al ...
Guitarist Tassos Spiliotopoulos Releases "In The North" - Out Now
In the North is the third album by guitarist Tassos Spiliotopoulos and his first since his relocation from London to Stockholm. Originally from Athens, Greece, Tassos Spiliotopoulos spent the better part of twelve years living in London and establishing a solid reputation as one of the most exciting, up-and-coming guitarists in the UK Jazz scene. He ...
Lina Nyberg: Aerials
by Eyal Hareuveni
There are very few musicians who dare to expand their artistic vision with every new project as Swedish vocalist-songwriter-composer Lina Nyber. Aerials, is the her second installment in a trilogy of albums that offers her unique perspective about the world, the elements and the music itself. Nyberg began the trilogy with the double album The Sirenades ...
Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors
by Mark Corroto
Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone." Maybe its the evanescent nature ...
