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On (and Off) The Road
by John Kelman
Sometimes the best music--and some of the best bands--are those that come from the most difficult of births. When King Crimson co-founder/guitarist Robert Fripp had the idea for a new band after dissolving the last incarnation of the '70s-era Crimson lineups seven years prior, it was a completely new concept and, with the exception of returning ...
Tales from Topographic Oceans (Definitive Edition)
by John Kelman
It was the album that, based on challenges during the five months it took to record, should really never have come to pass. It was the album that broke a three studio album/one live recording winning streak of increasing critical acclaim. It was the album, when at least for some critics, suggested the group's seemingly endless ...
Levin Minnemann Rudess: From the Law Offices of Levin Minnemann Rudess
by John Kelman
It may look good on paper, but you can never really know how “super group" collaborations are going to work out until they actually get together and do something. In the case of the power trio named after its members--bassist/stick player Tony Levin (Peter Gabriel, King Crimson, Stick Men), drummer/guitarist Marco Minnemann (Steven Wilson, The Aristocrats, ...
Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]
![Read "Sweet Billy Pilgrim: We Just Did What Happened and No One Came [2016 Kscope Remix/Remaster]" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/coverart/large/sweetbillypilgrim_wejustdidwhathappenedandnoonecame.jpg)
by John Kelman
Sweet Billy PilgrimWe Just Did What Happened and No One CameKscope Music2016 (2005) My how things have changed. Upon first encountering Britain's Sweet Billy Pilgrim at the 2007 Punkt Festival in Kristiansand, Norway, funding was so diminutive that singer/songwriter/guitarist/multi-instrumentalist/erstwhile leader Tim Elsenberg was unable to bring the full group; instead, he ...
Colin Cannon: Intermission
by Dave Wayne
Thank heavens Colin Cannon divided Intermission (Farewell) into three parts because there's so much going on in this recording that it'd almost impossible to review otherwise. Intermission (Farewell) is the young guitarist's fourth recording as a leader. The fact that he's been recording with the same core musicians (bassist Zak Croxall, drummer Tom Hartman, and keyboardist ...
Security Project: Live 1
by John Kelman
While so many singer-songwriters of the past 50 years have been covered time and again-even fostering tribute bands that recreate the live experience as close to perfection as possible-one of the most important, groundbreaking and forward-thinking songwriters of the past five decades has, for the most part, been overlooked. Peter Gabriel may have spent the first ...
Live in Toronto: Queen Elizabeth Theatre, November 20, 2015
by John Kelman
"The best live albums are the ones that make you glad they were recorded while simultaneously regretting you couldn't have been in the venue on the night." So writes Declan Colgan, president of Panegyric Records--the label responsible for, amongst other things, King Crimson's extensive 40th Anniversary reissue series of its initial run of studio and live ...
Steven Wilson at Theatre St-Denis
by John Kelman
Steven WilsonThéâtre St-Denis Montréal, Canada March 2, 2016 Perhaps one of the biggest signs of multi-instrumentalist Steven Wilson's continued upward trajectory is this: less than nine months after selling out two nights at the Festival International de Jazz de Montréal in 2015, he brought his top- drawer band back to Montreal ...
Steven Wilson: Maintaining Momentum with Transience & 4 1/2
by John Kelman
He is undeniably one of the hardest working men in music. In addition to ongoing work as surround sound and new stereo remixer for bands including King Crimson, Yes, Jethro Tull, XTC, Hawkwind, Emerson, Lake and Palmer, Tears for Fears, Simple Minds, Roxy Music and Caravan, with more groups being added on a regular basis, Steven ...
ON
by John Kelman
While it's true that, in the rock world, there are relatively few female guitarists, especially those leaning towards the heavier and more progressive side of the equation, that doesn't mean that those intrepid enough to enter what has traditionally been a man's world should be assessed on anything but their own merits. Good guitarists are good ...
