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Defibrillator & Peter Brötzmann: Conversations About Not Eating Meat
by Mark Corroto
Imagine the fight posters we could create for the various musical boxing matches organized for saxophonist Peter Brötzmann. His profile picture would be facing a fellow competitor with all the relevant statistics--height, weight, reach, and age. The boxing poster image often comes to mind when he grapples with plugged-in artists and those dealing with electronics, as ...
Steve Swell: Kanreki: Reflection & Renewal
by John Sharpe
To mark his sixtieth birthday (December 6, 2014), trombonist Steve Swell, long the pre-eminent trombonist on the NYC free jazz scene, invokes the Japanese custom of Kanreki. Although it is said to signal both a rebirth and a handing on of responsibilities, Swell shows no signs of allowing the occasion to inhibit his ambition. Over the ...
John Sharpe's Best Releases of 2015
by John Sharpe
Here in no special order are ten new releases, reviewed in All About Jazz, which stood out among those I heard this year. Mats Gustafsson Hidros 6 Knockin' (Not Two Records) An avant-garde jazz composition based on the songs of '50s rocker Little Richard. Really? Yep, that's the premise ...
Edward Ricart, Tim Daisy: Yiu Ja Ley
by Giuseppe Segala
Registrato a Chicago nel 2011, questo intenso lavoro che coinvolge le chitarre di Edward Ricart e la batteria di Tim Daisy viene pubblicato ora dall'etichetta di New Atlantis Collective, un gruppo di musicisti impegnato come laboratorio creativo, fondato e animato dallo stesso Ricart. A dire il vero, in questo caso è improprio parlare di duo, in ...
Ken Vandermark Resonance Ensemble: Double Arc
by Mark Corroto
For the most part, we only follow the trajectory of an artist's career many years after his work has been completed. Looking back at the career of Miles Davis, you can now play connect-the-dots from bebop to Gil Evans to modal jazz to electric Miles. Certainly, back in the day, many a listener knew not where ...
Dave Burrell, Steve Swell: Turning Point
by Maurizio Zerbo
Indagando ancora una volta nella memoria storica statunitense, Dave Burrell e Steve Swell continuano a trarre spunti musicali dalla guerra civile americana. Ricontestualizzati con eccelsa raffinatezza e gusto musicale, la strumentazione e i temi marziali dell'800 vengono letteralmente ristrutturati nel segno dell'ottica jazzistica. È stata così compiuta un'operazione discografica intelligente oltre che inusuale, rivolta a collegare ...
Barry Altschul's 3dom Factor: Tales of the Unforeseen
by John Sharpe
Veteran drummer Barry Altschul has enjoyed something of a late career resurgence over the last decade. Work with co-operatives such as the FAB Trio, as well as with trombonists Steve Swell and Roswell Rudd presaged his first leadership date for a quarter of a century in 3dom Factor (TUM Records, 2013). That trio with bassist Joe ...
Satoko Fujii Orchestra Berlin: Ichigo Ichie
by Karl Ackermann
If there is any doubt that a Satoko Fujii orchestra is an ensemble of a different color, one simply needs to look at the bleeding-edge personnel that have played a part in her New York, Chicago and several Japan based versions. Now a Berlin variety of her troupe presents Ichigo Ichie, the pianist's first European player ...
Tim Daisy: October Music – 7 Compositions For Duet (Vol 1)
by Giuseppe Segala
Nel suo libro Ein Fenster aus Jazz (Una finestra sul jazz), il compianto Joachim Ernst Berendt dedica un intero capitolo all'Arte del duo, sottolineando come in tale contesto ancora più che in altre occasioni la relazione umana intensa sia indispensabile. Il duo nel jazz mette in scena un dialogo più serrato, più complesso, più rischioso e ...
Dave Burrell: Pianist Navigating the Windward Passages
by Victor L. Schermer
Dave Burrell is a master pianist and composer who encountered the avant-garde in the 1960s and has been following his own independent path ever since. He combines classical and jazz elements that are both inside" and outside" the mainstream. The title of a poem by J.V. Cunningham, The Metaphysical Amorist" characterizes much of his playing, which ...



