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Gianni Lenoci Hocus Pocus 3 with Steve Potts: Bucket of Blood
by AAJ Italy Staff
Registrata a Bari nel giugno 2009, viene finalmente pubblicata questa pregevole testimonianza della collaborazione fra Gianni Lenoci e Steve Potts, che si dividono equamente la paternità dei brani (tre del pianista, tre del sassofonista, mentre “Bone" è dell'amato Steve Lacy). I primi due brani, di Lenoci, si qualificano come delle ballad attuali, pensose, oblique, con momenti ...
Talkin' Blues with the Groovemaster, Jerry Jemmott
by Alan Bryson
Jerry Jemmott's groove is the bedrock of guitarist B.B. King's career defining hit, “The Thrill is Gone." He was in the studio with Duane Allman and singer Wilson Pickett recording “Hey Jude," a track that was instrumental in launching the late Allman Brothers Band guitarist's musical career; and they were together again for flautist Herbie Mann's ...
Steve Lacy Five: Blinks...Zurich Live 1983
by Glenn Astarita
Blinks...Zurich Live 1983 is one of those ageless albums that accentuates the unparalleled synchronicity of iconic soprano saxophonist Steve Lacy's Five, captured live at a 1983 concert in Zurich, Switzerland. Packed with the leader's linear and concise theme constructions, the band reconfigures and rewinds many of the primary melodies amid moments of energized minimalism and lyrical ...
Steve Lacy Five: Blinks...Zurich Live 1983
by Raul d'Gama Rose
Few musicians bestrode the world of the avant-garde like the proverbial Colossus, but Steve Lacy did. He played with the heart of a giant and a soul in which a flame was lit in the '50s, when he began his career playing Dixieland music. By the time he made his presence felt in the avant-garde playing ...
Steve Lacy: Let’s Call This…Esteem; Hall Egg Farm 2000.10.16; November and Ideal Bread's Transmit
by Andrey Henkin
Steve Lacy/Mal WaldronLet's Call This...EsteemSLAM-Silta2010 Steve LacyHall Egg Farm 2000.10.16Suigyu2010 Steve LacyNovemberIntakt2010 Ideal BreadTransmitCuneiform2010
Michel Edelin Trio: Kuntu
by John Sharpe
Perennially unfashionable and plagued by perceptions of insufficient heft and timbral variation, it's not surprising that flute-based trios are rarer than an apologetic banker. Not that this troubles the Paris-based RogueArt label, as straight after the Indigo Trio's Anaya (2009) comes another, this time under the direction of flautist Michel Edelin. Past associations for the Frenchman ...
