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18

Article: Interview

Rudresh Mahanthappa: Dancing on the Edges of Time

Read "Rudresh Mahanthappa: Dancing on the Edges of Time" reviewed by Victor L. Schermer


Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, ...

Album

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Label: Legacy Recordings
Released: 2014
Track listing: CD 1 (Fillmore East, June 17, 1970): Introduction; Directions; The Mask; It's About That Time; Bitches Brew; The Theme; Paraphernalia (bonus track from Fillmore West, April 11, 1970); Footprints (bonus track from Fillmore West, April 11, 1970).


CD 2 (Fillmore East, June 18, 1970): Directions; The Mask; It's About That Time; Bitches Brew; The Theme; Spanish Key (encore); The Theme.
CD 3 (Fillmore East, June 19, 1970): Directions; The Mask; It's About That Time; I Fall in Love Too Easily; Sanctuary; Bitches Brew; The Theme; Miles Runs the Voodoo Down (bonus track from Fillmore West, April 11, 1970).
CD 4 (Fillmore East, June 20, 1970): Directions; The Mask; It's About That Time; I Fall in Love Too Easily; Sanctuary; Bitches Brew; Willie Nelson; The Theme.

10

Article: Take Five With...

Take Five With Mark Egan

Read "Take Five With Mark Egan" reviewed by AAJ Staff


Meet Mark Egan:Over the past 30 years, Mark Egan's ability to groove, perfectly complement the music in any situation and solo expressively has made him one of the most in-demand bass players on the international music scene. While racking up credits with the likes of the Pat Metheny Group, saxophonists Steve Grossman, Dave Liebman, Stan ...

14

Article: Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Ian Patterson


It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve ...

3

Article: Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by Maurizio Comandini


Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato ...

2

News: Recording

Bassist Mark Egan Releases "About Now" on Wavetone

Bassist Mark Egan Releases "About Now" on Wavetone

Bassist-Composer Mark Egan Showcase his Fretless Voice on About Now New Wavetone release reunites bassist with colleagues Danny Gottlieb and Mitch Forman Over the past 30 years, Mark Egan’s ability to groove, perfectly complement the music in any situation and solo expressively has made him one of the most in-demand bass players on the international music ...

27

Article: Extended Analysis

Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Read "Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3" reviewed by John Kelman


By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his ...

17

Article: Interview

Wallace Roney and His Mission to Record and Perform Wayne Shorter's Long-Lost "Universe"

Read "Wallace Roney and His Mission to Record and Perform Wayne Shorter's Long-Lost "Universe"" reviewed by R.J. DeLuke


Wayne Shorter is universally acknowledged as one of the greatest composers in the history of jazz, which is the history of American music. His compositions are played by instrumentalists in cramped and crowded nightclubs wherever on earth jazz music is performed. It's hard to imagine a jazz festival where at least few of his works don't ...

6

Article: Interview

Joe Manis: Killin'!

Read "Joe Manis: Killin'!" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...

6

Article: Extended Analysis

Chris Kelsey & What I Say: The Electric Miles Project

Read "Chris Kelsey & What I Say: The Electric Miles Project" reviewed by Jeff Dayton-Johnson


Trumpeter Miles Davis' post-Bitches Brew (Columbia, 1970), pre-hiatus (1975-1981) electric music--dense, loud, dark, funky, vast--has posed problems for musicians. The Yo Miles! collective, led by trumpeter Wadada Leo Smith and guitarist Henry Kaiser, gamely approached it as a repertoire: these are songs, they seemed to say; let's just play them (and so they did, on albums ...


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