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Take Five WIth Viktorija Pilatovic
by AAJ Staff
Meet Viktorija Pilatovic:In October 2012, jazz singer, composer and arranger Viktorija Pilatovic, just 23 years old, performed her original composition, “We Could Solve That," with internationally renowned bassist Victor Wooten in Valencia, Spain's iconic Palau de les Arts Reina Sofia performing arts complex. Her skills were quickly noticed when she arrived at Berklee Valencia ...
Chris Potter: The Sirens
by Ian Patterson
Saxophonist Chris Potter has consistently shown a deep feeling for jazz tradition and a willingness to modernize his vocabulary at the same time. The lyricism of Lester Young, the fearlessness of Charlie Parker, the keening spiritualism of John Coltrane and the tireless creativity of Sonny Rollins all inspire him, as do funk, electric set-ups and classical ...
Steve Coleman and Five Elements: Functional Arrhythmias
by Mark F. Turner
Ever the thinker, saxophonist Steve Coleman now delves into the connection between human biology and music with Functional Arrhythmias, perhaps his most accessible release in recent memory. With a vast discography that has covered everything from unadulterated funk in 1988's Sine Die (Pegasus) to advanced concepts in 2011's The Mancy of Sound (Pi), his curiosity and ...
David Fiuczynski: In the In Between
by Daniel Lehner
The most recent compositional premiere by guitarist David Fiucyznski has a title that almost manages to sum up his entire sphere of influence. “Flam! Pan-Asian Microjam for J Dilla and Olivier Messiaen" premiered at Berklee College of Music in 2012 and was inspired by a geographically and temporally enormous range of styles. Fiuczynski describes the piece ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
From Junk Bonds to Jazz: Pi Recordings' Yulun Wang
Yulun Wang thinks of himself as a guy who can solve complex problems. He did it frequently during his nearly two-decade career in investment banking. After working as a quantitative analyst at Security Pacific National Bank, he shifted to municipal bond re-financings at Dillon, Reed & Co. But once the Internet bubble burst, Wang—who was, by ...
Robert Mitchell: The Glimpse
by Bruce Lindsay
Pianist Robert Mitchell offers insight into a very particular musical place on The Glimpse: the world of solo, left hand only piano. The left hand: the hand responsible for the rhythm, the hand that keeps the beat, that lies in thrall to the melodic, excitable and exciting right hand. Why on earth would anyone want to ...
Diatribe Records: Heart and Soul of the Music
by Ian Patterson
Whilst Ireland has long produced music of world renown, this tiny, most Westerly European nation has never been quite so famous for producing cutting edge jazz. However, as European jazz has gradually let slip the American accent--an evolution that perhaps gathered its greatest momentum with the birth of the ECM label--so, too, in Ireland, a new ...
Alexander Hawkins: Retaining The Sense of Discovery
by John Sharpe
One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...
Li Gao Yang: Locks, Stock and Smoking Barrel
by Ian Patterson
With dreadlocks tumbling over his shoulders, Li Gao Yang already cuts a striking figure. When he's on stage blowing his tenor saxophone and leading his quartet with quiet assurance, the impact is all the greater. Chinese jazz stars are few and far between, at home or abroad, but already this unassuming musician from Beijing has appeared ...
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