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Album

Gateway

By Jed Levy

Label: SteepleChase Records
Released: 2007
Track listing: Life of Riley; Irony; Gateway; Lost April; Positivity; Chorale; How Am I To Know; Afterthought Blues; Carillon.

167

Article: Album Review

Peter Zak: My Conception

Read "My Conception" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Pianist Peter Zak, a heralded talent in the trio setting, flies solo on his excellent My Conception, where he skillfully dissects and reconstructs a roster of originals and standards, giving them depth of character and unrealized poignancy. Zak's originals are ambitious and diverse. He plays the mercurial “Shala with building emotion and lyricism as his boundless ...

455

Article: Album Review

Duke Jordan Quintet: Duke's Delight

Read "Duke's Delight" reviewed by Mike Neely

by Mike Neely

Duke's Delight is a classy recording from a pianist of renown. While the tape was rolling Duke Jordan's playing was inspired, and the band stayed right with him throughout this session, which includes five Jordan compositions and Duke Ellington's “In My Solitude." Playing piano in a sax and trumpet format is a ...

304

Article: Album Review

Russ Spiegel: Chimera

Read "Chimera" reviewed by Jerry D'Souza

by Jerry D'Souza

Guitarist Russ Spiegel has come a long way from the time when he was influenced by rock and spent a decade playing that music. The self-confessed latecomer to jazz shows firm grasp of the vocabulary as he takes different forms and builds them into a cohesive unit. Spiegel wrote six of the tunes on this venture, ...

219

Article: Album Review

Vincent Gardner: The Good Book: Chapter One

Read "The Good Book: Chapter One" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Although his major claim to fame up to this point has been time spent with the Lincoln Center Jazz Orchestra, trombonist Vincent Garner is a very likely candidate for the category of talent seeking of wider recognition. As a follow-up to his debut set Elbow Room (Steeplechase, 2006), this effort not only sheds light on his ...

148

Article: Album Review

Andy LaVerne: Intelligent Design

Read "Intelligent Design" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Certainly not your household name by any stretch of the imagination, pianist Andy LaVerne is nonetheless a particularly adept pianist who has worked with many jazz legends over the years including Stan Getz, Frank Sinatra, Michael Brecker and Lionel Hampton. He's also a respected educator and has been largely documented on almost forty dates as a ...

261

Article: Album Review

Russ Spiegel: Chimera

Read "Chimera" reviewed by Troy Collins

by Troy Collins

Chimera is guitarist Russ Spiegel's fourth album and first for Steeplechase. His previous releases include a rock record, a live big band recording and a mainstream date for Doublemoon (2001's Twilight). This sextet session finds him in the company of an adventurous and like-minded set of peers. Channeling the spirited energy of hard-bop with the progressive ...

148

Article: Album Review

Steve LaSpina: Play Room

Read "Play Room" reviewed by Terrell Kent Holmes

by Terrell Kent Holmes

Juggling a whirlwind schedule as a musician, father and student means that bassist Steve LaSpina is always in constant motion. Play Room is a selection of original compositions that comment on the recent state of affairs in his life. The music is lively, contemplative, playful and always involving. The title cut serves as ...

120

Article: Album Review

Andrew Rathbun: Shadow Forms

Read "Shadow Forms" reviewed by Ken Dryden

by Ken Dryden

Canadian jazz musicians are frequently overlooked by American jazz fans unless they record for a US-based label, but ignore Andrew Rathbun at your own risk. There is a lot to like about Shadow Forms, as there are plenty of surprising twists within these intimate performances. This talented multi-instrumentalist, primarily heard on tenor sax, ...

421

Article: Album Review

Jed Levy: Gateway

Read "Gateway" reviewed by Budd Kopman

by Budd Kopman

Some players seem to enjoy the adventure of not knowing with whom they are going to play with next, while others would rather develop the interpersonal communication that can only come with time. Since jazz is, at its core, an improvisational art, playing in the moment is the ideal, with different kinds of music requiring different ...


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