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Jazz Musician of the Day: Stanley Turrentine
All About Jazz is celebrating Stanley Turrentine's birthday today! Stanley William Turrentine was one of the most distinctive tenor saxophonists in jazz. Known for his big, warm, sound, “The Sugar Man" or the original “Mr. T" found inspiration in the blues and turned it into a hugely successful career with a #1 hit and four Grammy ...
Dave Stryker: Messin' with Mister T
by Jack Bowers
On Messin' with Mister T, guitarist Dave Stryker could have enlisted only his organ trio to salute friend, mentor and musical hero Stanley Turrentine; instead, he chose to step back and let other voices do most of the talking. The encomiums are thus provided by ten of the world's most accomplished tenor saxophonists, making this one ...
Hermeto Pascoal: Slaves Mass
by John Kelman
Hermeto Pascoal Slaves MassWarner Bros.1977 It's not hard to see why the creator of today's Rediscovery, Hermeto Pascoal, was such a significant figure to everyone from Miles Davis and Gil Evans to Herbie Hancock and, of course, Flora Purim and Airto Moreira, who co-produced Slaves Mass. Had the Brazilian multi-instrumentalist only ...
Jimmy Smith: Midnight Special – Blue Note 4078
by Marc Davis
The history of jazz is filled with great pairs: Duke Ellington and Billy Strayhorn--Dizzy Gillespie and Charlie Parker--Dave Brubeck and Paul Desmond--Wayne Shorter and Joe Zawinul. Add one more pair to the list: Jimmy Smith and Stanley Turrentine. Smith was the ground-breaking organist, steeped in the blues, who introduced the Hammond B-3 ...
Jonas Kullhammar: Gentlemen
by Mark Corroto
Swedish saxophonist Jonas Kullhammar continues to capture the late-fifties and early-sixties Blue Note sound. That magic golden age of jazz, when legends roamed roamed the earth, and recorded their music at Rudy Van Gelder's studio. His music conjures names like Joe Henderson, Sonny Rollins, and John Coltrane. The twelve compositions recorded here are the ...
1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
Introducing the Three Sounds – Blue Note 1600
by Marc Davis
This is the moment I've been looking forward to, and dreading. The Three Sounds. A piano trio I've heard of, but never heard. And what I'd heard about them wasn't entirely nice. I was sure I would hate them, but still I was very curious. The Three Sounds. Here's a band that was intensely ...
Donna Deussen: High Wire and On the Street Where You Live
by C. Michael Bailey
More telling than her Berklee College of Music magna cum laude degree is singer Donna Deussen's private instruction under Tierney Sutton. Sutton is second only to Cassandra Wilson when considering the seismic styleistic shifts in jazz vocals over the past 20 years. Deussen integrates her instruction intelligently, avoiding imitation. Her lessons learned are made her own. ...
Elias Haslanger: Live at the Gallery
by Chris M. Slawecki
Live at the Gallery boasts rollicking, soulful performances of a first-class set list recorded live and hot onstage at a packed jazz club in Austin (Texas) led by Texas native, Austin resident and tenor saxophonist Elias Haslanger and featuring soloists Dr. James Polk (another native Texan and former organist, pianist, writer, arranger and conductor for Ray ...
Lenny Pickett: Equal Opportunity Explorer
by R.J. DeLuke
Lenny Pickett is one of those tenor saxophonists who people have heard over and over and, if they're not paying attention, they don't realize it. If they are listening, they will probably pick up on his wailing altissimo phrases and his ballsy, funky sound. He's one of those players, like David Sanborn, who has ...
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