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4

Article: Album Review

Mike LeDonne: AwwlRight!

Read "AwwlRight!" reviewed by Jack Bowers


On AwwlRight!, his eighth outing at the Hammond B3 for Savant Records, pianist-turned-organist Mike LeDonne uses the same personnel and prescription that have worked so well for him in the past, guiding his sure-handed Groover Quartet through its paces in a series of bracing tunes that are all but guaranteed to quicken the mind and enliven ...

22

Article: Live Review

George Benson at the NYCB Theatre at Westbury

Read "George Benson at the NYCB Theatre at Westbury" reviewed by Mike Perciaccante


George Benson with special guest Chrisette Michele NYCB Theatre at Westbury Westbury, NY August 14, 2015 George Benson is a multi-platinum (R.I.A.A. certified), best selling, Grammy Award-winning guitarist and singer-songwriter. In 2009, Benson was recognized by the U.S. National Endowment of the Arts as a Jazz Master, the ...

11

Article: Album Review

Jeff Hackworth: The Heart of the Matter

Read "The Heart of the Matter" reviewed by Edward Blanco


Veteran tenor saxophonist Jeff Hackworth doesn't fool around much on his most recent musical project and gets right to The Heart of The Matter, unveiling his seventh album as leader and follow up to his previous critically-acclaimed Soul To Go! (Big Bridge Music, 2014). Employing a muscular approach to the saxophone, Hackworth's tenor voice is pronounced ...

2

Article: New York Beat

The Pittsburgh Jazz Festival

Read "The Pittsburgh Jazz Festival" reviewed by Nick Catalano


It is difficult to overestimate the importance of Pittsburgh in the annals of jazz history. Just a few of the legendary names--Ahmad Jamal, Errol Garner, Mary Lou Williams, Billy Eckstine, Billy Strayhorn, George Benson, Ray Brown, Stanley Turrentine--are sufficient to raise the proverbial jazz fan eyebrows. I actually performed there in the halcyon days of bebop ...

12

Article: My Blue Note Obsession

Stanley Turrentine and The 3 Sounds: Blue Hour – 1960

Read "Stanley Turrentine and The 3 Sounds: Blue Hour – 1960" reviewed by Marc Davis


Every good record collection has music for many moods. Feeling frantic? Try Dizzy Gillespie or the Ramones. Feel like dancing? Definitely the big bands. Feeling wistful? Maybe Ben Webster or Frank Sinatra. But if you're feeling blue, you need Stanley Turrentine, and Blue Hour is exactly the right prescription. Stanley Turrentine is ...

7

Article: Album Review

Dave Stryker: Messin' with Mister T

Read "Messin' with Mister T" reviewed by Edward Blanco


Tenor saxophone legend Stanley Turrentine has been gone for some time now but not forgotten and certainly, not by those he performed with for many years. Guitarist Dave Stryker toured with Turrentine for over a decade and has always intended to pay proper respect to the jazz icon who meant so much to him personally. Messin' ...

613

Article: Album Review

Dave Stryker: Messin’ with Mister T

Read "Messin’ with Mister T" reviewed by Walter Atkins


Veteran jazz guitarist Dave Stryker's history includes playing and recording with the inimitable Stanley Turrentine from 1986 to 1995.His Messin' With Mister T (Strikezone Records), showcasing Turrentine classics, is a timely testimonial to the accomplished tenor's long career and extensive legacy. The legacy begins in the 50's for Turrentine while performing with adept musicians like Lowell ...

1

News: Music Industry

Stanley Turrentine: At the Shack

Stanley Turrentine: At the Shack

On April 25, 1960, organist Jimmy Smith recorded for Blue Note with tenor saxophonist Stanley Turrentine and drummer Donald “Duck" Bailey at Rudy Van Gelder's studio in Englewood Cliffs, N.J. Smith handled the bass line with his feet on the organ's pedalboard while the 26-yeat-old Turrentine took the sax solos. The album was Smith's Back to ...

Article: Album Review

Peter Madsen: Elvis Never Left the Building

Read "Elvis Never Left the Building" reviewed by Angelo Leonardi


"Quand'ero adolescente volevo essere Elvis!" confessa Peter Madsen nelle note del disco. La passione è andata avanti fino all'incontro con il jazz e sembrava finita per evidenti ragioni d'inconciliabilità. Con questo disco il pianista accetta una sfida davvero ardua, reinterpretando i classici di quel repertorio dalla sua prospettiva di artista inventivo e stilisticamente ricercato. Il risultato ...

1,538

Article: Building a Jazz Library

Jimmy Smith: Master of the Hammond B-3

Read "Jimmy Smith: Master of the Hammond B-3" reviewed by Mark Sabbatini


Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...


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