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Anthony Bruno: Blue Velvet
by Dan McClenaghan
Chicago-based saxophonist Anthony Bruno wraps up a terrific triptych of album releases with 2025's Blue Velvet. The journey began with the release of his album Anthony Bruno (2023), followed by Cefalu (2024). All of these are on his Anthony Bruno Music label. Bruno counts Sonny Rollins as a major influence. He says as much in the ...
The Big Stage: How Festivals Are Reviving Jazz All Around India
by Karan Khosla
The live music scene in India is flourishing, and jazz is riding the tide. A recent Ernst & Young study estimates that the live music sector in India reached a value of around USD 1.4 billion in 2024 and is predicted to increase 20% yearly. With Gen Z and millennials making approximately 90% of all live ...
James Brandon Lewis Quartet with Aruán Ortiz, Brad Jones and Chad Taylor: Abstraction Is Deliverance
by Mark Corroto
John Coltrane, Sonny Rollins and David S. Ware cast long shadows over Abstraction Is Deliverance, the fifth release from the James Brandon Lewis Quartet. These tenor saxophone titans have influenced Lewis since his breakout major-label debut Divine Travels (Okeh, 2014). Yet while their legacy is acknowledged, it never overshadows the bold, present-tense expression of Lewis's own ...
Kristina Koller, Stan Getz, and The Peddlers
by Jerome Wilson
This program features saxophones, organs, and pianos among other instruments. Musicians heard include Kristina Koller, Stan Getz, Phil Haynes, Sullivan Fortner, and the Peddlers. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Bergen Big Band “Canto Mai" ...
Jordan VanHemert: Survival of the Fittest
by Gary Fukushima
For most of his life, Jordan VanHemert has been on a quest of growth and mastery as a saxophonist, composer and musician. But equally important have been his efforts to contextualize some of the difficulties of his life experiences within the deeper themes of his DNA, discovering in the process resilience, optimism and joy. Jordan's music ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Jed Levy: Faces and Places
by Jack Kenny
This is a beautiful album that is fired up right from the start. The sound of the tenor is faintly reminiscent of Warne Marsh. There is no seeking after angularity. Jed Levy's way with melody is completely natural and integrated into the quintet, though there are surprises all the way through the improvisations. Jed ...
Meet Andy Bey
by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...
Dave Monsch: Struttin' at the Winedale
by Dean Nardi
Dallas-based saxophonist and flautist Dave Monsch wants his debut album to catch listeners' attention. “I don't feel that it is a predictable album," he stated through an email exchange with AAJ. “There are so many different types of songs and styles, I would hope that something will grab them, if not all of it."
Backgrounder: Sonny Rollins - Alfie (1966)
No album better reflects Sonny Rollins's personality than his Alfie: Original Music From the Score, arranged by Oliver Nelson. Recorded in New York in January 1966, the original music has his energy, passion, tenderness and his melancholy in one fell swoop. It's all very mid-1960s. To learn more about the recording, consult my two-part post on ...
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