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545

Article: Bailey's Bundles

The State of The Saxophone Trio: Dan Moretti, Domenic Landolf, Jacob Duncan

Read "The State of The Saxophone Trio: Dan Moretti, Domenic Landolf, Jacob Duncan" reviewed by C. Michael Bailey


There is something Baroque about jazz ensembles lacking a piano or guitar as a harmony instrument . Their absence frees previously occupied sonic space for other uses. The format also sets up a more pronounced contrapuntal interplay between the remaining players. The saxophone trio has become quite mainstream since Sonny Rollins blew into the Village Vanguard ...

553

Article: Interview

Mark Soskin: Challenges Welcome

Read "Mark Soskin: Challenges Welcome" reviewed by R.J. DeLuke


In conversation with the immensely talented and engaging pianist Mark Soskin, the word “challenge" arises periodically. It's used in a good sense. Simply put, “I like to be able to be handed a challenge and then rise to it," he said in conversation, earlier in the summer of 2010. Diversity is also ...

147

News: Interview

Pianist Mark Soskin Interviewed at All About Jazz

Pianist Mark Soskin Interviewed at All About Jazz

In conversation with the immensely talented and engaging pianist Mark Soskin, the word “challenge" arises periodically. It's used in a good sense. Simply put, “I like to be able to be handed a challenge and then rise to it," he said in conversation, earlier in the summer of 2010. Diversity is also something he likes. The ...

561

Article: Live Review

24 Hours of Umbria Jazz 2010

Read "24 Hours of Umbria Jazz 2010" reviewed by Sara Villa


Imagine traveling by car for hours in the summer heat of Italy's July 2010. At last it is early evening, and you reach the borders of a breathtaking medieval town. A soft breeze blows around you while you walk through the steep slopes which lead you to the centre. You follow the sounds you so eagerly ...

160

Article: Album Review

Rich Corpolongo Trio: Get Happy

Read "Get Happy" reviewed by Nic Jones


This is a trio that harks back to Sonny Rollins' work with piano-less groups over half a century ago, but there's nothing slavishly imitative about its music. Instead the evocation is joyous enough by itself to justify the title, and the uncalculated way in which the group goes about its work underlines it. ...

512

Article: Profile

The Emergence of Jimmy Lyons

Read "The Emergence of Jimmy Lyons" reviewed by Robert Levin


[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...

209

Article: Take Five With...

Take Five With Katsuko Tanaka

Read "Take Five With Katsuko Tanaka" reviewed by AAJ Staff


Meet Katsuko Tanaka: Katsuko Tanaka, born and raised in Osaka Japan, resided in California as a Rotary International Foundation Ambassador in the nineties. Being inspired by the live jazz music during her stay in the U.S., she decided to immerse herself into the jazz world. After being back in Japan (Tokyo and Osaka) for ten years, ...

23

Video

Don't Stop the Carnival

Featuring the music of Sonny Rollins
Duration: 8:24

Probable personnel: Mike Wolff - piano, Aurell Ray - guitar, Don Pate - bass and Eddie Moore - drums. Nov. 13, 1976
153

News: Festival

Noviembre 2010: Barcelona es jazz

Primero fue Sonny Rollins (Auditori, 3 de noviembre; concierto inaugural en el que se le hará entrega de la tercera medalla de oro del festival, tras Bebo Valdés en el 2008 y Wayne Shorter en el 2009), después Jamie Cullum en el que será (26 de noviembre) su debut en el célebre Palau de ...

50

News: Recording

Picking Up the Horn

Picking Up the Horn

On the morning of September 11, 2001, Sonny Rollins was in his apartment in Greenwich Village, six blocks from the World Trade Center, when the first plane hit. He pulled out his old black-and-white TV, which he hadn't used in years, and hooked it up just in time to see the second plane hit. He ran ...


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