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Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Martin Archer: Making A Difference, Doing Things Differently
by Duncan Heining
Martin Archer is a one-man music industry. Saxophonist, multi-instrumentalist, composer, producer, band-leader and label owner--Archer has made a virtue of doing things differently. From early beginnings in music forty years ago, he has built his label Discus into a catalog that is as fine in quality as it is eclectic in taste and content. Based in ...
John Etheridge: More Than a Legacy
by Bruce Lindsay
The home page of guitarist John Etheridge's website reveals that he's involved in seven current projects: nothing too unusual in the life of a contemporary jazz musician. Closer inspection quickly shows that the term “jazz musician" fails miserably to encompass the full range of Etheridge's work. There's his career as a solo performer; his duo with ...
Meet David Wayne
by AAJ Staff
I currently live in: Santa Fe, NM I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? I am a music fanatic. I play the drums. I was involved in college radio for years and I'd love to do a show again. Maybe when I ...
Soft Machine Legacy: Burden of Proof
by Dave Wayne
Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...
Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975
by Duncan Heining
From Duncan Heining's Trad Dads, Dirty Boppers and Free Fusioneers (Equinox, 2012) and is taken from from Chapter 11, “The Best Things in Life are Free," which discusses free jazz and free improvisation in British jazz. In this section, Heining examines the early work of the avant-garde group AMM and discusses its philosophy and wider influence ...
Live At Het Turfschip, Netherlands, 31 January 1970
By Soft Machine
Label: Comma (Japan)
Released: 2012
2012 Tampere Jazz Happening: Tampere, Finland, November 1-4, 2012
by Martin Longley
Tampere Jazz Happening Tampere, Finland November 1-4, 2012 Here's another veteran jazz festival, and one which has been gaining increasing international recognition during recent years. This is a Happening with a personality. A distinct orientation to its programming, and a taste for the more adventurous aspects of jazz. The Finnish ...
The Fire, Regardless
by Nic Jones
If considered together a couple of recent archival releases (The 100 Club Concert 1979 (Reel Recordings, 2012), by saxophonist Elton Dean's Ninesense and Mike Osborne Trio The Birmingham Concert (Cadillac, 2012), by the Mike Osborne Trio) and one reissue (Wilderness of Glass ((Awake, 2012), by Triton) remind us of how creative improvised music happens, regardless of ...
