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Skip James
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he haunting quality of Nehemiah “Skip” James’s music earned him a reputation as one of the great early Mississippi bluesmen. James (1902-1969) grew up at the Woodbine Plantation and as a youth learned to play both guitar and piano. At his 1931 session for Paramount he recorded eighteen songs, including the dark-themed “Devil Got My Woman” and “Hard Time Killing Floor Blues.” He later became a minister, but returned to performing blues during the 1960s “blues revival.” The music of Skip James and fellow Bentonia guitarists such as Henry Stuckey (1897-1966) and Jack Owens (1904-1997) is often characterized as a genre unto itself
Jazz Juniors 2022
by Martin Longley
Jazz Juniors Cricoteka Kraków, Poland September 28-October 1, 2022 Jazz Juniors is primarily a competition, but simultaneously exists as a regular festival. This latter aspect has enlarged during recent years, following the debut of its new artistic director Adam Pierończyk in 2019. Also an established saxophonist, it's clear ...
Roots Magic: Take Root Among The Stars
by Neri Pollastri
Terzo disco di rivisitazione delle “magiche radici" della musica nera per opera di un quartetto (ma stavolta in due brani si allarga a sestetto) che si è imposto come una delle formazioni più interessanti del nostro jazz. Emblematica la foto interna alla confezione del CD, che ritrae i quattro musicisti attorno alla lapide sulla ...
Summer 2020
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note. It spotlights titles in those genres that might otherwise go unnoticed under the cultural radar. Paul Kelly/Paul Grabowsky Please Leave Your Light On Cooking Vinyl 2020 Less the blues in ...
Live From Birmingham: The Chieftains, Rachel Harrington, Lucinda Williams, Alex Rex & Amythyst Kiah
by Martin Longley
The Chieftains Town Hall July 8, 2019 Paddy Moloney remains the absolute driving force of The Chieftains, and has been since their formation in 1962. His pipes and whistles were joined by flute, percussion, guitar, harp, keyboards and a pair of fiddles, two step dancers, plus a whole host of ...
Val Wilmer: Dues And Testimony
by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...
Chris Hillman: The Asylum Years
by Doug Collette
Chris Hillman is a rare musical artist indeed. Not only is he a multi-instrumentalist as capable as he is versatile plus an engaging lead and harmony singer, he's also a songwriter well-versed in a range of music including folk, rock, bluegrass and country. Of equal and perhaps even greater importance is Hillman's ability to forge a ...
Last of the Mississippi Jukes
by Vic Albani
Robert Mugge Last of the Mississippi Jukes [DVD/Blu Ray] Valutazione: * * * * MVDvisual 2016 Se non si è dei veri “blues lovers" non è possibile solo intuire la bellezza di questo splendido video-documentario che Robert Mugge, con la consulenza musicale di David Hughes, ha messo in opera ...
Noah Preminger: Dark Was the Night, Cold Was the Ground
by Alberto Bazzurro
A un anno scarso dal precedente Pivot: Live at the 55 Bar, il trentenne tenorsassofonista newyorchese Noah Preminger torna sul luogo del delitto. Che non è la sede dell'incisione (questo, anzi, è un album in studio, benché inciso in un jazz club, il Side Door, in Connecticut), quanto il repertorio, anche stavolta estratto dalla grande letteratura ...
Rollin' and Tumblin'
by Mario Calvitti
Rollin' and Tumblin' Roberto Menabò 194 Pagine ISBN: 978-8862318228 Arcana 2014 Per quanto il blues sia un genere musicale da tempo largamente diffuso e storicizzato, i dati biografici dei suoi più grandi interpreti sono ancora ampiamente sconosciuti, dispersi nel terreno paludoso tra realtà e leggenda dove spesso le ...
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