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Article: Album Review

Lowell George: The Last Tour

Read "The Last Tour" reviewed by C. Michael Bailey

by C. Michael Bailey

Well, you can wish in one hand and shit in the other and see which one fills up first. First, do not purchase this disc. There is absolutely no reason to as you may acquire it free from Internet Archive. specifically, at the address, Lowell George & His Band -June 28, 1979. The Internet Archive detail ...

Article: Album Review

Noah Preminger: Pivot: Live at the 55 Bar

Read "Pivot: Live at the 55 Bar" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Non ancora varcata la soglia dei trent'anni (ciò che accadrà il prossimo 2 giugno), il tenorsassofonista newyorchese Noah Preminger, allievo di Dave Liebman, firma con Pivot: Live at the 55 Bar quello che è già il quinto album a suo nome. Lo alimentano due soli brani (singolarmente entrambi tratti dal songbook del bluesman Bukka White) di ...

2

Article: Album Review

Wayne Bergeron: Full Circle

Read "Full Circle" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Track and field aficionados will remember Olympic gold-medal-winning high-jumper, Dick Fosbury. Fosbury revolutionized his event by developing an unorthodox “backward flop" to hurdle the bar. No flop, for sure, but Full Circle from trumpeter Wayne Bergeron and his stellar Los Angeles teammates raise every aspect of the trumpeting and big band bar to atmospheric heights.

5

Article: Album Review

Bokani Dyer: World Music

Read "World Music" reviewed by Dan Bilawsky

by Dan Bilawsky

It's not exactly a secret that the concept of “World Music" isn't all that its name implies. That tag, still in wide use today, became somewhat meaningless a couple decades back, serving primarily as an umbrella category to market any and every form of non-Western music to Western ears. But South African pianist Bokani Dyer sees ...

18

Song of the Day

Staying In

Album: Many Names
By Chris Wallace
Label: Self Produced
Released: 0
Duration: 5:06

4

Article: Album Review

Bob Wijnen: NYC Unforeseen

Read "NYC Unforeseen" reviewed by Dan Bilawsky

by Dan Bilawsky

The first minute of Dutch pianist Bob Wijnen's debut album is very telling, but not because of what he does. Rather, it's what Wijnen doesn't do that sets these opening moments apart: Instead of announcing his arrival by hitting on all cylinders and showcasing himself, he hands this prime piece of real estate to drummer Billy ...

5

Article: Album Review

Nancy Erickson: While Strolling Through the Park

Read "While Strolling Through the Park" reviewed by C. Michael Bailey

by C. Michael Bailey

Listening to “New Year's Eve," Nancy Erickson's original composition opening her third recording, While Strolling Through the Park, makes me recall the songwriting of Dr. Louise Van Aarsen (Destiny (Self Produced, 2012)). Both sport a very contemporary and adult vision of falling in love, having a family and simply living. That is refreshing in that this ...

11

Article: Album Review

Raya Brass Band: Raya

Read "Raya" reviewed by Mark Sullivan

by Mark Sullivan

From the sound you would probably place Brooklyn's Raya Brass Band in some other Brooklyn--one located somewhere in the Balkans. Their bright, joyful music is never far from the traditional wedding music of the Balkans and Greece. It's dance music, grooves like crazy, and is just plain fun. You may not spontaneously jump up and dance, ...

18

Article: Album Review

Glauco Lima: Once Upon A Time

Read "Once Upon A Time" reviewed by Geannine Reid

by Geannine Reid

Brazil, perhaps more than any other country, has embraced jazz, the sound of 1950s jazz or the cool school as some like to call it, and the music world has benefited from this love affair. This music has had a huge influence on the evolution of the bossa nova, and now latin jazz has cemented itself ...

6

Article: Album Review

Jon Irabagon: Inaction is An Action

Read "Inaction is An Action" reviewed by Budd Kopman

by Budd Kopman

Inaction Is An Action, simultaneously released with its almost polar opposite Behind The Sky, is a force of nature embodied in the sopranino saxophone as “played" solo by Jon Irabagon. From the point of view of how each piece “sounds," and each track truly is a composition, its range is astounding. It should not be surprising ...


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