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Article: Album Review

Cameron Graves: Planetary Prince

Read "Planetary Prince" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Si chiama Cameron Graves ed è il pianista dell'ensemble di Kamasi Washington, controversa figura della musica afroamericana capace con la pubblicazione di Epic di far nascere tra i commentatori e gli addetti ai lavori di mezzo mondo una querelle da tifo calcistico. L'album a suo nome si intitola Planetary Prince è stato registrato in una session ...

8

Song of the Day

Splash!

Album: Watercolors
By Mihai Sorohan
Label: Self Produced
Released: 2015
Duration: 04:37

6

Article: Album Review

Dave Noland: Ripple

Read "Ripple" reviewed by Bob Kenselaar

by Bob Kenselaar

Ripple is Dave Noland's second album as a leader, a self-produced endeavor that follows the tenor saxophonist's 2007 recording for the Jazz Excursion label, Nomad. With a mix of four original tunes and three standards, Ripple showcases Noland's considerable talents as a composer, arranger, and improviser. Originally from San Angelo, Texas, Noland has been ...

5

Song of the Day

The Golden Girder Strikes Again

Album: Earprint
By Earprint
Label: Self Produced
Released: 2016
Duration: 5:04

13

Article: Album Review

Richie Cole: Richie Cole Plays Ballads & Love Songs

Read "Richie Cole Plays Ballads & Love Songs" reviewed by Jim Trageser

by Jim Trageser

Alto saxophonist Richie Cole has made quite the career with his brand of hard bop, generally coming at melody almost as an unintended consequence of his heavy focus on improvisational interpretation. On his latest release--itself an unintended consequence of a recording date arriving without half the scheduled musicians able to attend--Cole taps into his ...

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Article: Album Review

Peter Saltzman: Blues, Preludes and Feuds

Read "Blues, Preludes and Feuds" reviewed by Geannine Reid

by Geannine Reid

Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...

18

Article: Multiple Reviews

Christmas Roundup 2016: Aguankó, Jeff Collins, & Vinnie Zummo

Read "Christmas Roundup 2016: Aguankó, Jeff Collins, & Vinnie Zummo" reviewed by Mark Sullivan

by Mark Sullivan

It's that time of year again. While some people genuinely love holiday records, others are just looking for some alternative to have available for self-defense against the onslaught of traditional holiday pop music. Regardless of what camp you're in, here are two new releases, plus three that are new to me: Latin jazz, mainstream jazz, bossa ...

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Article: Album Review

Louisiana Soul Revival: Louisiana Soul Revival Featuring Doug Duffey

Read "Louisiana Soul Revival Featuring Doug Duffey" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Louisiana Soul Revival (LSR) frontman and primary composer Doug Duffey--already enshrined in the Louisiana Hall of Fame (in 2001) and the National Blues Hall of Fame (2009)--sure knows his musical roots. “North Louisiana, in the Mississippi Delta, has deep musical roots in the blues, Memphis soul, southern gospel, rock 'n' roll, folk, and hybrids that are ...

4

Article: Album Review

Lauren Bush: All My Treasures

Read "All My Treasures" reviewed by Dan McClenaghan

by Dan McClenaghan

Toronto-bred and now London-based Lauren Bush introduces herself --on her debut, All My Treasures--as a traditional, vivacious, and supremely confident vocalist, in the mode of Ella Fitzgerald or Anita O'Day. And the tunes she calls her treasures are mostly from the familiar end of the Great American Songbook spectrum. The voice is sassy/brassy, horn ...

1

Article: Album Review

Zarabande: El Toro

Read "El Toro" reviewed by Roger Farbey

by Roger Farbey

Alfred “El Toro" Flores has been on the San Antonio music scene for more than 30 years, playing in a number of different bands and genres. He's also something of a multi-instrumentalist, in addition to marimba, he plays vibraphone, xylophone and guitar. El Toro reflects Zarabande's proclivity for his own brand of electrifying Latin jazz.


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