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Duane Betts: Sketches of American Music
by Doug Collette
It's a daunting task just to follow in the footsteps of a bonafide legend of American music, in the case of Duane Betts, his father Dickey, co-founder, guitarist and major composer for the Allman Brothers Band. But the offspring is taking his sweet time enaging in follow-up on that estimable legacy of Southern rock with this ...
Robert Kennedy: Closer To Home
by Geannine Reid
Robert Kennedy has an interesting story: by day he works for Google; by night he is an organist in the San Francisco jazz scene. Though it is not unusual for musicians to have two careers these days, as let's face it, musicians are still being paid rates from the '70s for playing music. Kennedy hails originally ...
A Six-String Travelogue
by Geno Thackara
Leni Stern 3 Leni Stern Recordings 2018 If it's an exaggeration to say that Leni Stern's gone native after her life-shaping time in Senegal, it's probably not by much. 3 isn't the result of merely studying and and learning a few new forms, but an unrestrained immersion in the life and ...
Alyson Murray: Breathe
by Geannine Reid
Alyson Murray has been performing since the age of sixteen, receiving an Outstanding Potential Award from the Australian Girls Choir (AGC), where she was also selected to perform in The Boy From Oz, a Hugh Jackman production in Melbourne. Murray went on to complete her Bachelor of Fine Art Contemporary Music in '15 at the Victorian ...
Darrian Ford: New Standards
by Geannine Reid
New standards is a term that is often thrown around in jazz. As in all genres, there are articulate writers, with songs that stand the test of time, and others who simply fade into the background. Enter a new artist on the jazz scene, Darrian Ford. New Standards is Ford's debut full-length album ...
Kollega: EP 1
by Karl Ackermann
The self-titled debut from UK-based Kollega is a brief and eclectic collection merging multiple technologies with acoustic and electric instrumentation. Bassist Dave Shooter--the de-facto spokesperson for the quartet--explains that the group sound is influenced by the likes of the electo-acoustic Nerve and Aphex Twin, and while there may be a trace of the Richard D. James ...
AddisAbabaBand: Alive
by Jakob Baekgaard
One of the best things about the digital age is that music is so easily shared. Music from different worlds is just a click away on platforms where independent artists and labels sell and stream their music. Naturally, this also means that it becomes easier to exchange one musical perspective with another. However, even in these ...
Fabio Marziali: Windows and lights
by Friedrich Kunzmann
It all started out in a small Italian village near Fermo, roughly two decades ago. It was there, at the age of 18, when Fabio Marziali experienced his first live jazz concert and was immediately hooked for good. Then and there the idea was born, to one day record with great jazz contemporaries in a studio ...
Tim Miller: Trio vol 3
by Mike Jacobs
Best not to bury the lead. Tim Miller's Trio Vol 3 sets a new high-water mark for the guitarist's output, an advance from and worthy successor to his last trio recording nearly a decade ago. There, a potential pull-quote is out of the way... Before returning to the review, something--what ...
Kristo Rodzevski: The Rabbit and the Fallen Sycamore
by C. Michael Bailey
A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...
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