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4

Article: Live From New York

Wayne Escoffery, Mingus Big Band, Tomas Fujiwara, Mara Rosenbloom & The Ron Carter Big Band

Read "Wayne Escoffery, Mingus Big Band, Tomas Fujiwara, Mara Rosenbloom & The Ron Carter Big Band" reviewed by Martin Longley


Wayne Escoffery & Tenor Traditions Smalls March 31, 2018 To assist with his investigation into tenor traditions, saxophonist Wayne Escoffery formed a full-thrust front line with Marcus Strickland and George Garzone, surely one of the most vibrant teams possible around current NYC clubland. The quintet was completed by bassist Yasushi ...

4

Article: Album Review

Michael Musillami Trio + 2: Life Anthem

Read "Life Anthem" reviewed by Jerome Wilson


One day in June 2016, guitarist Michael Musillami woke up with a massive headache. Tests soon revealed that he had a brain hemorrhage and also an unrelated brain tumour. He slowly recovered from his illnesses and is now in good health. Life Anthem is his musical testament to his ordeal, realized in this recording by his ...

5

Article: Album Review

The Heliosonic Tone-tette: Heliosonic Toneways Vol. 1

Read "Heliosonic Toneways Vol. 1" reviewed by Chris M. Slawecki


Many albums in the Sun Ra musical universe have a great backstory, but the story behind Heliosonic Toneways Vol. 1 is better than most. On April 20 1965, Sun Ra recorded The Heliocentric Worlds of Sun Ra, featuring himself on the relatively obscure bass marimba, at Richard Alderson's RLA Studio in New York City. ...

10

Article: From the Inside Out

From Choro to Chaos

Read "From Choro to Chaos" reviewed by Chris M. Slawecki


Berkeley Choro Ensemble The View from Here Self-Produced 2017 Like its organic natural wonders, the music of Brazil seems to flourish in different forms and styles of beauty. But much of its music has grown from the root of choro: Born in the mid-to late-1800s from the joining ...

8

Article: Album Review

Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers

Read "Hunters & Scavengers" reviewed by Mark Corroto


In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...

3

Article: Album Review

Martin Wind: Light Blue

Read "Light Blue" reviewed by Geno Thackara


Releasing a defining album is a pretty nice way to celebrate hitting age 50. If it's a particularly solid outing, so much the better. Martin Wind's milestone comes as he also marks 25 years as a recording player. It seems faintly miraculous that there's really time for him to do his own thing, considering that he's ...

Album

Dream Ago

Label: Big Modern Music
Released: 2017
Track listing: Dream Dancing, Cole Porter Cake of My Childhood, Gabrielle Stravelli & Pat O'Leary Little Zochee, Pat O'Leary & Gabrielle Stravelli Where Is The Song?, Bob Dorough If Only Love Was Blind, Gabrielle Stravelli Didn't You Tell Me, Gabrielle Stravelli, Jason Robinson & Pat O'Leary Bicycle Blues, Ray Gallon, Pat O'Leary, Gabrielle Stravelli and Jason Robinson It Might As Well Be Spring, Rodgers & Hammerstein Dream Ago, Gabrielle Stravelli & Pat O'Leary Prism, Gabrielle Stravelli & Pat O'Leary More, Gabrielle Stravelli Now I Know, Gabrielle Stravelli, Pat O'Leary & Jason Robinson

4

Article: Multiple Reviews

Matt Mitchell, un pianoforte declinato al futuro

Read "Matt Mitchell, un pianoforte declinato al futuro" reviewed by Luca Canini


Se da un lato c'è Tim Berne che ti affida le chiavi del suo quartetto, e dall'altro Steve Coleman che al momento di mettere qualcuno davanti a una tastiera non esita a comporre il tuo numero, vuol dire che qualcosa di buono al pianoforte lo sai fare. Certo, poi serve anche altro per uscire definitivamente allo ...

46

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann


Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...

3

Article: Live Review

Edgefest 2017: Give the Drummers Some, Part 1-2

Read "Edgefest 2017: Give the Drummers Some, Part 1-2" reviewed by Troy Dostert


Part 1 | Part 2 Edgefest Ann Arbor, MI October 18-19, 2017 When mid-October rolls around, many fans of avant-garde jazz and creative music prepare to converge on Ann Arbor, Michigan for their annual pilgrimage to the Kerrytown Concert House, home of the Edgefest festival. Now in its ...


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