Home » Jazz Articles » Album Review » The Heliosonic Tone-tette: Heliosonic Toneways Vol. 1

5

The Heliosonic Tone-tette: Heliosonic Toneways Vol. 1

By

Sign in to view read count
The Heliosonic Tone-tette: Heliosonic Toneways Vol. 1
Many albums in the Sun Ra musical universe have a great backstory, but the story behind Heliosonic Toneways Vol. 1 is better than most.

On April 20 1965, Sun Ra recorded The Heliocentric Worlds of Sun Ra, featuring himself on the relatively obscure bass marimba, at Richard Alderson's RLA Studio in New York City. Ra recorded Heliocentric Worlds Vol. 2, featuring himself on tuned bongos and clavioline, soon thereafter.

Exactly fifty years from that day—April 20, 2015—ScienSonic Laboratories convened longtime Sun Ra Arkestra members Danny Ray Thompson and Marshall Allen (the only known surviving participant of that '65 Heliocentric session) to lead an ensemble tribute to "the distinctive instrumentation and sonic character of the original albums." Allen and Scott Robinson played the instruments that Ra handled on the original recordings (the bass marimba heard on Vol. 1 and the bongos and clavioline from Vol. 2), and Alderson returned to produce it.

Heliosonic Toneways Vol. 1 was improvised in the studio and is presented in the order in which it occurred. Nothing seems to connect one piece of music to another, but each piece contributes a distinct chapter to the outerspace epic told by the whole. "Heliotone 2A" shoots up from the electronic keyboard sound in which Ra rooted much of his solo music; bowed bass pulls out subsonic echoes of the bass marimba while electronics and contrapuntal horns paint abstract jazz colors in the sky. Called to order by various reeds and brass that flutter together like a flock of birds, "Heliotone 2B" coalesces into an Ellingtonian swing feeling led by the drummer's tap-dancing snare.

"Heliotone 3B" erupts (or deteriorates, depending) into an ensemble free-for-all that sounds like a marching band intersecting with the Duke Ellington Orchestra in a pool of psychedelic LSD. These same horns blast "Heliotone 7" skyward, leaving colorful rocket trails for the drums to dance in. Ushered in by acoustic piano and plaintive trombone, "Heliotone 4B" seems to at least start in New Orleans, but where it ends up as it floats away on no discernible tempo or meter seems like anybody's guess.

Heliosonic Toneways Vol. 1 lives up to the message printed on the back of those original 1965 album jackets: "You never heard such sounds in your life."

Track Listing

Heliotone 1A; Heliotone 1B; Heliotone 2A; Heliotone 2B; Heliotone 3A; Heliotone 3B; Heliotone 4B; Heliotone 5B; Heliotone 6; Heliotone 7.

Personnel

Scott Robinson: bass marimba, Wurlitzer electric piano, tenor saxophone, piccolo, timpani, theremin, "power bore" bugle, Faventia barrel piano, treichel bell, soundsheet, dragon drum, space magnets; Marshall Allen: alto saxophone, EVI, Casio VL-tone, Steinway piano, bass marimba; Danny Ray Thompson: baritone saxophone, flute, bongos, space sound tube; Frank Lacy: trombone; Philip Harper: trumpet; Pat O'Leary: string bass, waterphone; Yosvany Terry: alto saxophone, woodblocks, bells; Tim Newman: bass trombone; Matt Wilson: drums, timpani, Korean gong, dragon drum; JD Parran: bass clarinet.

Album information

Title: Heliosonic Toneways Vol. 1 | Year Released: 2017 | Record Label: ScienceSonic Laboratories


< Previous
Parting Is

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.