All About Jazz

Home » Musicians » Marshall Allen

Musician? Boost Your Visibility at All About Jazz

Upgrade your AAJ musician page from standard to premium and make your presence felt!

Maximize your visibility at All About Jazz by upgrading your musician page from standard to premium. With it, you'll receive All About Jazz home page exposure, a highly stylized / ad-free musician page with bonus features and benefits, an ad, plus you control where you sell your music and so much more.
Learn More

Marshall Allen

Marshall Allen - alto saxophone, flute, clarinet, oboe, kora, and E.V.I. (Electronic Valve Instrument).

Marshall Belford Allen, alto saxophonist, multi-instrumentalist, composer, bandleader, and arranger, was born May 25, 1924 in Louisville, Kentucky and started clarinet lessons at age 10. At 18, he enlisted in the Army's 92nd Infantry (renowned as the Buffalo Soldiers), playing clarinet and alto saxophone in the 17th Division Special Service Band. Stationed in Paris during World War II, he played with pianist Art Simmons and saxophonist Don Byas, and he toured and recorded with James Moody during the late '40's. Upon honorable discharge, Mr. Allen enrolled in the Paris Conservatory of Music, studying clarinet with Delacluse. Returning to the States in 1951, Marshall settled in Chicago, where he led his own bands, playing in clubs and dance halls, while writing his own music and arrangements, as he continues to do today.

During the mid-'50's, Marshall met Sun Ra and became a student of his precepts. After joining the Sun Ra Arkestra in 1958, Marshall Allen led Sun Ra's formidable reed section for over 40 years (a role akin to the position of Johnny Hodges in the Duke Ellington orchestra). Marshall Allen lived, rehearsed, toured and recorded with Sun Ra almost exclusively for much of his musical career, leading the reed section during the time that the Sun Ra Arkestra won the “Downbeat” polls as number-one big band in 1988 and 1989. As a featured soloist with the Arkestra, Marshall pioneered the avante-garde jazz movement of the early '60's, expanding a style rooted in Johnny Hodges and Don Byas, and influencing all leading avante-garde saxophonists thereafter. During this time, Marshall also invented a woodwind instrument he called the “morrow,” utilizing a saxophone mouthpiece attached to an open-hole wooden body. (This instrument is currently being marketed under another name, as Marshall never secured a patent on his invention).

Read more

Tags

Album Review
Festivals Talking
Megaphone
Interview
Album Review
Read more articles

Photos

Albums

Seductive Fantasy

Strut Records
2020

buy

The Infinite Ones

Khannabilism
2020

buy

Swirling

Strut Records
2020

buy

Live In Kalisz 1986

Lanquidity Records
2019

buy

Vibrations of the Day

Bubble Lounge
2011

buy

Watch

Similar

Shop Amazon

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.