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Article: Chats with Cats

Michael Ricci: Still Building a Home for Jazz

by B.D. Lenz
August 19, 2026

This is a very special installment of Chats with Cats. Normally, I interview people from different corners of the jazz world. This time, I turned the microphone toward the person who made this conversation possible--the cat, if you will. As the founder and publisher of All About Jazz, Michael Ricci has spent decades building ...

Article: Interview

Leonardo Pavkovic: The Other Side of the Mountain

by Chris M. Slawecki
July 20, 2026

From July 22-25, the MoonJune-iverse will orbit around Teramo, Italy, to present the fourth MoonJune Festival and simultaneously celebrate MoonJune Records' 25th anniversary, a gathering convened by MoonJune founder Leonardo Pavkovic. In the following interview, Pavkovic explains the journey that brought him and MoonJune Festival 2026 to Teramo. “I love the idea of celebrating ...

Article: Interview

Sonny Rollins: Still a Student

by Chris M. Slawecki
May 27, 2026

This article first appeared on All About Jazz sometime in Spring 1999. Considering his five decades as a fixture among the tenor greats, it's pretty safe to say that in 1999 most jazz fans under the age of sixty have never known a time when saxophonist Theodore “Sonny" Rollins was NOT on the scene. ...

Article: Catching Up With

Chuck Mangione: Friend For Lovers

by Chris M. Slawecki
July 26, 2025

This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music “Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...

Article: Interview

Meet Andy Bey

by Chris M. Slawecki
May 12, 2025

From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

Article: Interview

Roy Haynes: Still Lighting It Up

by Chris M. Slawecki
November 15, 2024

This article was first published on All About Jazz in June 1997. Drummer Roy Haynes isn't just cool--he's cooooolllll. In conversation, Roy Haynes is languid and relaxed yet full of fire, yet playful, mysterious and serious. Similarly, his music--and he's played alongside the best--is simultaneously passionate and precise, free-swinging and loose, but ...

Article: Multiple Reviews

Blue Note Series of Rare Summer Grooves

by Chris M. Slawecki
February 12, 2024

This article was first published at All About Jazz in September 2002 under the old Combing the Blue Note Catalog column. The Rascals knew all about it. They expressed it perfectly in one of their biggest hit singles: Ain't nothing like groovin' on a Sunday afternoon. Not much serves the purpose of that groove ...

Article: Interview

A Classic Jazz Curriculum with Label M's Joel Dorn

by Chris M. Slawecki
February 12, 2024

This article was first published at All About Jazz in April 2001. Ah, the classics. In every art form painting, literature, architecture, dance, music there are works which possess timeless beauty, works with themes that resonate emotionally across decades, through centuries, and are masterfully presented. Joel Dorn's name is indelibly written in ...

Article: Album Review

Jimmy Smith: Dot Com Blues

Read "Dot Com Blues" reviewed by Chris M. Slawecki

by Chris M. Slawecki
January 11, 2001

He's known as one of the founding jazz fathers of Hammond B-3 organ funk, but Jimmy Smith has always played the blues. Born in December 1928 in a suburb west of Philadelphia, Smith has been performing since he was 12, at that time in a song and dance act with his father. After a stint in ...

Article: From the Inside Out

2000 Rewind

by Chris M. Slawecki
January 5, 2001

You can drive yourself crazy trying to determine the “best" releases of this or any other year. But this past year, perhaps like every year, presented admirable music of excellent quality that did not stir my passions. And it also brought music of dubious quality that I enjoyed almost despite myself (this year, heaven forgive me, ...