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Alister Spence / Satoko Fujii: Intelsat
by Glenn Astarita
This is the ninth of twelve CDs celebrating leading-edge pianist, composer Satoko Fujii's 60th birthday. On this album Fujii and Australian keyboardist Alistir Spence (Barre Phillip, Myra Melford) perform a series of over-the-top duets in front of a live audience in 2017 at the Intelstat jazz venue in Kiracho, Nishio, Japan. The artists first met when ...
Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection
by Karl Ackermann
Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...
Attarian's Dozen: The Twelve Best Recordings from 2018
by Hrayr Attarian
The year 2018 was, musically speaking, a good year. The label Pi Recordings did it again with six magnificent albums, three of which made it in my top twelve. In addition, two feminist themed gems are included as well as four by master pianists. An intimate and adventurous duet, a meeting of great minds and a ...
Satoko Fujii / Yuko Yamaoka: Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii
by Karl Ackermann
Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii is the eleventh of twelve releases to be issued as part of Satoko Fujii's year-long, sixtieth birthday celebration. The previous ten releases this year have shown us an exceptional artist as she works in a variety of musical modes, and in formations from solo to orchestra, ...
Dominik Wania, Satoko Fujii, Alistair Spence And More
by Maurice Hogue
Italian saxophonist Roberto Ottaviano's latest recording is really about love--not so much the romantic kind, but more about the love that jazz musicians and fans have for enduring compositions written by the likes of Charlie Haden, Abdullah Ibrahim, John Coltrane, Dewey Redman and Don Cherry. And let's not forget about creative music's love affair ...
Amu: Weave
by Karl Ackermann
The year-long Satoko Fujii sixtieth-birthday project enters its final quarter in autumn 2018 with the stellar Weave. In a year of surprising and unusual releases, her newly assembled quartet--Amu--represents Fujii at her most unconventional yet accessible. The group includes Fujii's husband and frequent partner Natsuki Tamura on trumpet and percussion, drummer and percussionist Takashi Itani and ...
Satoko Fujii: Triad
by Neri Pollastri
Tra la serie di dischi pubblicati, uno al mese, per festeggiare il compimento dei suoi sessant'anni, Satoko Fujii presenta anche questo Triad, registrato a Milano e uscito per l'italiana Long Song Records, che vede accanto a lei e al magnifico contrabbassista statunitense Joe Fonda il nostro Gianni Mimmo, che conferma di essere tra i migliori sassofonisti ...
Nicole Mitchell, Brom & Thomas Morelli-Bernard
by Maurice Hogue
This episode features another of those wonderful bassists from Portugal: Carlos Bica. His latest release with his trio, Azul, makes its One Man's Jazz debut and an earlier album with Prima Matéria closes the show with a familiar melody. Nicole Mitchell's latest, Maroon Cloud, the German trio, Brom, and the latest instalment of Satoko Fujii's birthday ...
Flora Carbo, Mário Costa and Wocjiech Jachna
by Maurice Hogue
This episode continues its mission to explore jazz from around the world. Australia's jazz scene is influenced by many great female players. In addition to Sandy Evans you will hear the debut of saxophonist Flora Carbo. Polish trumpeter Wocjiech Jachna and trio debut their latest, God's Body, while Portuguese drummer Mario Costa's latest for Clean Feed ...
Alister Spence / Satoko Fujii: Intelsat
by Karl Ackermann
Three quarters of the way through Satoko Fujii's year-long celebration of her sixtieth birthday, she once again moves in an unpredictable direction, this time in the company keyboardist Alister Spence. Having met in Australia in 2007, the two went on to record with the Raymond MacDonald International Big Band the following year. Intelsat marks the second ...
