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147

Article: Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Budd Kopman


Pianist Russ Lossing and bassist John Hebert have known each other a long time and have played together on a number of projects, including Lossing's own Phrase 6 (Fresh Sound New Talent, 2005), and, most recently, on the phenomenal “quasi-debut" of Michael Adkins, Rotator (HatOLOGY, 2008). After talking for a long time about ...

123

Article: Album Review

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by Chris May


Modern bass playing, and the special relationship in jazz between bass and piano, could be said to have begun in the early 1940s, with the partnership of pianist Duke Ellington and bassist Jimmy Blanton. In a series of duo recordings as impactful, among musicians, as saxophonist Charlie Parker and trumpeter Dizzy Gillespie's couplings a ...

238

News: Recording

Russ Lossing - John Hebert : Line up on Hatology 651

Russ Lossing - John Hebert :  Line up on Hatology 651

Russ Lossing - John Hebert : Line Up on Hatology 651 Russ Lossing -piano & John Hebert -double bass Total Time DDD 55:43 It's a rich and varied tradition in which Lossing and Hebert locate themselves, and their duets are both an incidental celebration of the tradition and a commemoration of their ...

Album

Metal Rat

Label: Clean Feed Records
Released: 2007
Track listing: Coming To Meet; Ch'ien; Turn; Damp(ness); Is Thick With; Dry(ist); Metal Rat; Hidden Lines; Fire Monkey; Their Blood is Black and Yellow.

192

Article: Album Review

Russ Lossing: All Things Arise

Read "All Things Arise" reviewed by Budd Kopman


Russ Lossing is a pianist of extreme depth and intensity whose music exists between jazz improvisation and modern classicism. All Things Arise will only cement this impression. His previous records include the marvelous Metal Rat (Clean Feed, 2006) with Mat Maneri and Mark Dresser, and the intense As It Grows (HatOLOGY, 2004) with Ed Schuller and ...

1

Article: Album Review

Russ Lossing - Mat Maneri - Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by AAJ Italy Staff


Come riferito nelle note di copertina, il CD è il risultato di un'intensa seduta di registrazione di poche ore. Non si puo' che rimanere colpiti, quindi, dalla forte intesa tra i tre musicisti. Mark Dresser, con il suo arco trascinante e profondo, quando non percussivo, e con i suoi pizzicati solidi e incalzanti risulta essere il ...

228

Article: Album Review

Russ Lossing / Mat Maneri / Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by Troy Collins


A focused session of collective free improvisation conceived by pianist Russ Lossing, Metal Rat features the spontaneous interplay of three sympathetic musicians. Joined by violist Mat Maneri and bassist Mark Dresser, Lossing booked a recording studio for a mere four hours to instill a “real sense of urgency" to the proceedings. The ensuing session benefits from ...

189

Article: Album Review

Russ Lossing / Mat Maneri / Mark Dresser: Metal Rat

Read "Metal Rat" reviewed by Karla Cornejo Villavicencio


Much has been said about brevity by men who were anything but. Now, art benefits from aesthetic and compositional purity--no unnecessary lines, no superfluous words, no ostentatious displays of skill--but it is usually a byproduct of a brilliant work, not the sole purpose. Pianist Russ Lossing, violist Mat Maneri and bassist Mark Dresser manage dexterously to ...

1

Article: My Playlist

Russ Lossing

Read "Russ Lossing" reviewed by AAJ Italy Staff


01. Mat Maneri - Trinity (ECM - 2001) Mat è proprio un grande improvvisatore. Unico, senza trucchi e trovate ad effetto. Concreto e appassionato. Intenso. 02. Pierre-Laurent Aimard - Ligeti Etudes and Debussy Etudes for Piano and Messiaen Vinght Regards...for piano. Un pianista classico eccezionale. Questi tre pezzi sono molto interessanti per i jazzisti grazie al ...

1

Article: Multiple Reviews

Phrase 6 - All Things Arise

Read "Phrase 6 - All Things Arise" reviewed by AAJ Italy Staff


Russ Lossing non suona “alla maniera di ..”, perché il suo stile è assolutamente personale, decisamente borderline rispetto ai classici riferimenti presenti nel bagaglio tecnico ed esperienziale di qualsiasi musicista. Da una parte vi è una solida formazione accademica, dall’altra la frequentazione dell’area creativa del jazz con musicisti quali Paul Motian, Michael Formanek e Matt Maneri, ...


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