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Laid-Back Jazz Guitar: Kenny Burrell and Grant Green
by Marc Davis
When I'm in the mood for jazz guitar, I have two go-to albums: Kenny Burrell's Midnight Blue and Grant Green's Idle Moments. It always surprises me. Growing up in the 1960s and '70s, I was a big fan of hard and fast rock guitars. Who wasn't? Jimi Hendrix, Jimmy Page, Keith Richards, Pete Townsend. ...
Johnny Griffin: A Blowin' Session – Blue Note 1559
by Marc Davis
Sometimes dumb luck makes all the difference. That's the case with Johnny Griffin's A Blowin' Session. If you're a sax fan, this one's for you--not one, not two, but three red-hot tenors, plus one scorching trumpet, and the legendary Art Blakey smashing the drums behind them. Three tenors? How did that happen? Pure serendipity. ...
Jutta Hipp at the Hickory House, Vol. 2 – Blue Note 1516
by Marc Davis
Raise your hand if you've never heard of Jutta Hipp. Yeah, me either. And yet, there she is, brooding and shadowy on the cover of her first Blue Note album. Yes, she--a female rarity in the almost-all-male world of 1950s Blue Note. And not American, either. Like Becks and Volkswagen, Jutta Hipp is a ...
Herbie Hancock: Maiden Voyage
by Greg Simmons
Over the past forty-nine years there's been no shortage of ink spilled extolling the musical virtues of Herbie Hancock's 1965 recording, Maiden Voyage. Featuring the great trumpet of Freddie Hubbard and the bracing tenor of George Coleman, the record is as good as any effort turned in by Hancock during that period. It's a record every ...
Joey DeFrancesco at Birdland
by Nick Catalano
On the final night of January and the onset of Super Bowl weekend, Joey DeFrancesco brought his touring trio into Birdland celebrating his latest CD release for HighNote One For Rudy. With bandmates guitarist Paul Bollenback and drummer Carmen Intorre DeFrancesco lit up the room with his B3 and deftly moved to the trumpet and then ...
Larry McKenna: From All Sides
by Victor L. Schermer
Larry McKenna's tenor saxophone playing is addictive. It's like driving a Maserati: you're probably going to want to take it on the road again and again, because it is so elegant and finely engineered. A product of the late swing band era (he did a turn with Woody Herman), McKenna has kept rigorously on a course ...
Jasper Lundgaard / Bob Rockwell / Doug Raney / Henrik Gunde, Aage Tanggaard: Love & Peace: The Music of Harold Parlan
by Chris Mosey
Maybe it was the mournful sound of the foghorns belonging to the ships passing below the Great Belt Bridge. Or the music he'd just been listening to, and featured on this album. But Harold Parlan's thoughts strayed from the care home where he now lives in the small Danish coastal town of Korsør (pop. 14,501) to ...
Jim Snidero: A Tale Of Taste
by Dan Bilawsky
What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...
The Feelin's Good
by Greg Simmons
The mists of time have a way of obscuring the motives behind people's decisions. “What were they thinking?" and “It must have seemed like a good idea at the time" must be among the most universal human sentiments. In the music business, a session gets recorded, and often it gets released, but occasionally it doesn't. Sometimes ...
Mike LeDonne: Where There’s Smoke
by Bob Kenselaar
Mike LeDonne has more than made his mark in jazz over the years, on both piano and organ. One of the New York jazz scene's premier instrumentalists, he's long been a favorite of fellow musicians. “He is incredible," said the late Oscar Peterson, who once described how he would rush to hear LeDonne play every night ...
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