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Results for "Roscoe Mitchell"
Nicola Fazzini Minimum Sax: Random2
by Alberto Bazzurro
Poco più di mezz'ora di sax alto solo, suddivisa in quarantasei microtracce a loro volta ricondotte a dieci gruppi primari (vedi elenco dei brani in calce): questa la struttura del primo lavoro solitario di Nicola Fazzini, milanese di nascita ma trevigiano d'adozione (e in mezzo discreto giramondo), il quale parla di “composizioni originali nate da un ...
Two Simultaneous Jon Irabagon Releases: Quartet & Solo
by Mark Sullivan
Saxophonist Jon Irabagon has worked in a wide variety of settings, including Mostly Other People Do The Killing, the Mary Halvorson Quintet, Barry Altschul's 3Dom Factor, and the Dave Douglas Quintet. For the 2015 release on his own Irabbagast Records label he released two records on the same day: Behind the Sky, with his quartet plus ...
Jon Irabagon: Inaction is An Action
by Karl Ackermann
Saxophonist Jon Irabagon, a central figure in Mostly Other People Do the Killing, guitarist Mary Halvorson's Quintet and leader of his own trio with drummer Barry Altschul and bassist Mark Helias is one of the most prolific composers and performers in music. Still in his thirties, Irabagon has amassed about eighty recordings as a leader, co-leader ...
The Velvet Lounge: On Late Chicago Jazz
by David A. Orthmann
The Velvet Lounge: On Late Chicago Jazz Gerald Majer 224 pages ISBN: #023113682X Columbia University Press 2005 Three men sit around a table in a restaurant that--for one night a week--masquerades as a jazz club. The dinner plates have been cleared, and we're waiting to settle the check. ...
Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat
by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato ...
Mary Halvorson: Meltframe
by Dan Bilawsky
It should come as no shock that Mary Halvorson's first solo guitar album is a mind-bender. In the past, regardless of where she's gone and who she's gone with, Halvorson has managed to surprise by liberally mixing uncommonly aggressive assaults, open-ended exploration(s), and, on occasion, calm(ing) cogitation. Here, standing all by her lonesome, all three of ...
Gent Jazz Festival 2015: Part 1
by Martin Longley
Gent Jazz Festival Bijloke Gent, Belgium July 10-12, 2015 Part 1 | Part 2 A bold beginning was made with the festival's opening night, perhaps concentrating on some of director Bertrand Flamang's personal favourites. This evening was never destined to be a sell-out session, but ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
North Sea Jazz Festival Recap: A Moveable, Musical Feast
by Joan Gannij
North Sea Jazz Festival Rotterdam, Netherlands July 10-12, 2015 Three days immersed in sounds and sensations. Followed by two days at home in zombie mode, zen silence. Rather than do an exhausting commute from Amsterdam to Rotterdam each day (by train or auto (50 miles / 75 kilometers each way), I ...
Intervista a Beppe Scardino
by Angelo Leonardi
Sassofonista baritono, clarinettista basso e compositore quanto mai versatile, Beppe Scardino è da un decennio una figura centrale del jazz italiano più creativo. Lo abbiamo incontrato nei giorni dell'ultima edizione di Young Jazz, nel maggio 2015, e ci ha gentilmente concesso quest'intervista: ricorda alcune tappe centrali della sua carriera e ci parla dei progetti futuri.
