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6

Article: Album Review

Kris Davis: Diatom Ribbons Live At The Village Vanguard

Read "Diatom Ribbons Live At The Village Vanguard" reviewed by Mark Corroto


The term “proof of concept" might be the appropriate subtitle to Kris Davis' Diatom Ribbons' Live At The Village Vanguard. Her concept, first heard on the eponymous release Diatom Ribbons (Pyroclastic, 2019), is demonstrated on two discs taken from 12 sets over six nights at the famed Greenwich Village nightclub. The pianist does indeed verify that ...

4

Article: Album Review

Kris Davis: Diatom Ribbons Live At The Village Vanguard

Read "Diatom Ribbons Live At The Village Vanguard" reviewed by Mike Jurkovic


Rogue pianist and noted polymath Kris Davis exercises the mercurial fluidity of her future-forward-thinking quartet, Diatom Ribbons--drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, and bassist Trevor Dunn--ushers guitarist Julian Lage into the maelstrom and voila! Another memorable Live at the Village Vanguard emerges boldly and triumphantly. As befits Davis and company, ...

Album

At Slugs’ Saloon 1966 Revisited

Label: Ezz-thetics
Released: 2022
Track listing: Truth Is Marching In; Our Prayer; Bells; Ghost; Initiation.

Album

La Cave Live-Cleveland 1966-Revisited

Label: Ezz-thetics
Released: 2022
Track listing: CD1: Spirits Rejoice; Prophet/Ghosts/Spiritual Bells; Our Prayer/Spirits Rejoice; Untitled Truth Is Marching In; Spirits; Zion Hill. CD2: Spirits; Spiritual Bells; Untitled (F# tune); Spirits Rejoice; D.C.; Untitled (minor waltz); Our Prayer; Untitled (F# tune); Ghosts.

3

Article: Album Review

Albert Ayler: At Slugs’ Saloon 1966 Revisited

Read "At Slugs’ Saloon 1966 Revisited" reviewed by Mark Corroto


With Albert Ayler it has seemingly always been “what If." What if he had survived that plunge to his death in the East River in 1970? Setting aside the question of whether he was murdered or committed suicide, how would he have altered the course of music if he lived beyond those 34 years? At the ...

7

Article: Album Review

Albert Ayler Quintet: At Slugs’ Saloon 1966 Revisited

Read "At Slugs’ Saloon 1966 Revisited" reviewed by Chris May


There continues to be as much discussion about Albert Ayler's personality and motivations as there is about the music he left us. Was he a religious fundamentalist? Was he bi-polar? Was he an attention seeker? Was he some sort of leather fetishist? The evidence suggests Ayler may have been borderline bi-polar, but as for the other ...

2

Article: Live Review

Ravi Coltrane at SFJAZZ Center

Read "Ravi Coltrane at SFJAZZ Center" reviewed by Harry S. Pariser


Ravi Coltrane SFJAZZ Center San Francisco, California April 29, 2022 When you have a famous father, whether you are Seun Kuti, Miley Cyrus, or one of the innumerable talented offspring of other celebrated musicians, expectations can be enormous. That especially holds true when one is the second son of the ...

15

Article: Live Review

Krantz, Carlock, Lefebvre At Bop Stop

Read "Krantz, Carlock, Lefebvre At  Bop Stop" reviewed by C. Andrew Hovan


KCL: Wayne Krantz, Keith Carlock, Tim Lefebvre Bop Stop Cleveland, OH February 25, 2022 Back in the late '90s, chameleon-like guitarist Wayne Krantz started building a reputation by banding together with bassist Tim Lefebvre and drummer Keith Carlock for a residency at The 55 Bar in New York. By sharing their ...

8

Article: Album Review

James Gilmore: Decorating Time

Read "Decorating Time" reviewed by Jeff Kaliss


"You can find a song that goes with your vocabulary," guitarist James Gilmore has averred. It's not because his album's label, Ears and Eyes, is based in Buenos Aires that the opening title track of Decorating Time speaks in what feels like a new language, or at least a new dialect. Maybe it's something about North ...

8

Article: Album Review

Albert Ayler: La Cave Live-Cleveland 1966-Revisited

Read "La Cave Live-Cleveland 1966-Revisited" reviewed by Chris May


Cleveland club La Cave, a grungy cellar which could accommodate around two hundred people, opened as a folk venue in 1962, transitioned into rock mid-decade, and closed in 1969. Along the way, in amongst such counterculture flagbearers as the Velvet Underground and The Fugs, La Cave booked a few of the bad boys of so-called “new ...


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