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James Gilmore: Decorating Time
by Jeff Kaliss
"You can find a song that goes with your vocabulary," guitarist James Gilmore has averred. It's not because his album's label, Ears and Eyes, is based in Buenos Aires that the opening title track of Decorating Time speaks in what feels like a new language, or at least a new dialect. Maybe it's something about North ...
Albert Ayler: La Cave Live-Cleveland 1966-Revisited
by Chris May
Cleveland club La Cave, a grungy cellar which could accommodate around two hundred people, opened as a folk venue in 1962, transitioned into rock mid-decade, and closed in 1969. Along the way, in amongst such counterculture flagbearers as the Velvet Underground and The Fugs, La Cave booked a few of the bad boys of so-called “new ...
Torino Jazz Festival 2021
by Libero Farnè
Torino Varie sedi 19—27.06.2021 Il grande successo di pubblico ottenuto dal Torino Jazz Festival 2021, spostato dalla fine di aprile alla fine di giugno, dimostra quanto fosse impellente la fame di musica dal vivo, nonostante le precauzioni da prendere contro una pandemia tutt'altro che debellata definitivamente. D'altra parte bisogna ammettere che il ...
Albert Ayler Quintet: 1966: Berlin, Lörrach, Paris & Stockholm. Revisited
by Mark Corroto
It may sound odd to describe the music that Albert Ayler's quintet performs here as the musical equivalent of comfort food, but these sounds can be associated with security and nostalgia. They are a reminder of the spark ignited by this tenor saxophonist from Cleveland. Ayler, maybe more than any artist of his day, paved the ...
Julius Hemphill: The Boyé Multi-National Crusade For Harmony
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...
Ron Miles: Rainbow Sign Of The Times
by Ian Patterson
The title of Ron Miles' Rainbow Sign (Blue Note Records, 2020) carries great personal meaning for the Denver cornetist/composer and educator. The initial influence was The Carter Family song “God Gave Noah the Rainbow Sign," with its line 'No more water but the fire next time," which in turn gave James Baldwin the title for his ...
Guitarist Jack DeSalvo: While We Sleep & Quintrepid on Unseen Rain
by Mark Sullivan
Guitarist/composer Jack DeSalvo has had a long, diverse career emphasizing fusion and free playing. His most visible gig was with Ronald Shannon Jackson's Decoding Society, but since co-founding the record label Unseen Rain Records he has played on or produced a wide variety of music. For example, his duet album Soldani Dieci Anni (Unseen Rain Records, ...
Meet Pat and Mike: The Jazz Bastards
by AAJ Staff
About Pat and Mike Pat and Mike host the Jazz Bastard podcast. Mike is a English professor who normally makes his home in jny: San Diego; Pat is a lawyer's helper living in Central Indiana. They met as Freshmen in college and having been bugging each other ever since. (Mike—Actually I'm a Humanities lecturer—if ...
Rudy Royston: Little Steps, Big Pictures
by Ian Patterson
Everybody needs a helping hand now and then. Rudy Royston understands that. The Covid-19 pandemic has caused gigs to completely dry up for all musicians, and with that, their main income stream. Yet there are still mortgages, rents and bills to pay, and children to feed. It says something about the precarious finances of a jazz ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
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