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Article: Album Review

Gordon Beck Quartet Featuring Joy Marshall: When Sunny Gets Blue: Spring ’68 Sessions

Read "When Sunny Gets Blue: Spring ’68 Sessions" reviewed by Roger Farbey


For British jazz fans, the late Gordon Beck probably needs no introduction. Beck was undoubtedly one of the best and most undervalued pianists the UK has produced. Joy Marshall, however, is perhaps not so well-known. Born in New York, Marshall moved to England in 1962 at the age of 25, where she resided until her tragic ...

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Article: Album Review

Josephine Davies' Satori: In The Corners Of Clouds

Read "In The Corners Of Clouds" reviewed by Roger Farbey


It's interesting to compare In The Corners Of Clouds with Josephine Davies' previous album simply entitled Satori (Whirlwind, 2017). That live album was recorded at a gig in London in 2016, whereas In The Corners Of Clouds was recorded at Buffalo Studios, London in February 2018. The line-up has changed slightly too with Paul Clarvis replaced ...

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Article: Album Review

Ant Law: Life I Know

Read "Life I Know" reviewed by Roger Farbey


Ant Law's third album and the follow-up to Zero Sum World (Whirlwind, 2015), is an impressive affair. The eight compositions reflect some of the guitarist's influences and experiences, real or imaginary. Since moving to London in the 2000s, Law has acted as sideman to various leading musicians including Tim Garland and recorded on Partikel's third album, ...

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Article: Album Review

Ingrid Jensen and Steve Treseler: Invisible Sounds: For Kenny Wheeler

Read "Invisible Sounds: For Kenny Wheeler" reviewed by Roger Farbey


The trumpeter Kenny Wheeler who died on 18 September 2014, aged 84, was one of the true greats of jazz but one who never quite attained the popular recognition that some of his contemporaries achieved. Nevertheless, to his peers and audiences around the world he was an international treasure. Born in Canada in 1930, Wheeler moved ...

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Article: Album Review

Flying Machines: New Life

Read "New Life" reviewed by Roger Farbey


It takes barely a couple of plays but then the main hook line of Alex Munk's stonking title track grabs you and won't let go. This is very much in the vein of mid-period Frank Zappa with Munk's guitar wired to the extreme end of the jazz/metal spectrum. But it's not all sound and fury, as ...

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Article: Album Review

Walter Smith III / Matthew Stevens / Joel Ross / Harish Raghavan / Marcus Gilmore: In Common

Read "In Common" reviewed by Roger Farbey


Eschewing the traditional desire for their compositions to be individually attributed, this group of five virtuosos has instead determined to retain a collective responsibility for their music. This is a brave philosophy but it works remarkably well. In this spirit, “freefive" is a tentative improvised duet between Walter Smith III on tenor saxophone and Matthew Stevens ...

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Article: Album Review

Lorraine Baker: Eden

Read "Eden" reviewed by Roger Farbey


Lorraine Baker graduated with First Class Honours from South East London's Trinity Laban Conservatoire of Music and Dance in 2009. Since then, she's worked with many of the UK's leading jazz musicians and in addition to such sessions she's also freelance drum tutor. Fellow drummer Jeff Williams is quoted describing Baker as having a “unique style" ...

4

Article: Album Review

Camilla George: The People Could Fly

Read "The People Could Fly" reviewed by Roger Farbey


Camilla George's follow-up to her debut album Isang (Ubuntu, 2016) is, if anything, even better than her first. The record's title derives from a picture book of folktales by Virginia Hamilton portraying the plight of African slaves and how they could escape their oppression by flying back to their homeland. The titles of seven of the ...

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Article: Album Review

Gabrielle Ducomble: Across The Bridge

Read "Across The Bridge" reviewed by Roger Farbey


Belgian-born and London-based chanteuse Gabrielle Ducomble is gifted with an irresistible voice. Obvious comparisons can be made (and usually are) to the great Edit Piaf or at a pinch, a jazzier Mireille Mathieu, but this does Ducomble a disservice since she exudes her own unique vocal charm. Across The Bridge follows in the footsteps of Ducomble's ...

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Article: Album Review

Liran Donin's 1000 Boats: 8 Songs

Read "8 Songs" reviewed by Roger Farbey


The virtuosic bass solo that opens “I Can See Tarifa" is the prelude to a dynamic ensemble vamp, unleashing torrents of unbridled saxophone . “The Story Of Annette And Maurice" is more reflective and utilises the twin horns in close harmony and Donin's pizzicato bass duetting with Maria Chiara Argirò's piano. The piece gradually picks-up momentum ...


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