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23

Article: Live Review

Vossa Jazz 2015

Read "Vossa Jazz 2015" reviewed by Henning Bolte


VOSSA JAZZ Voss March 28 -29, 2015 Vossa Jazz, founded in 1973, an annual three-day event with a great variety of groups and acts, is a highly prestigious jazz festival in Norway. Thanks especially to its commissions and awards, it has an important national and international function. In 1983 the ...

Album

Wire Quartet

Label: Clean Feed Records
Released: 2014
Track listing: Abandon Yourself; Surrender; To The Music.

Album

The Freedom Principle

Label: NoBusiness Records
Released: 2014
Track listing: The Freedom Principle; Shadows; Pepper Packed.

8

Article: Album Review

Luís Lopes Lisbon Berlin Trio: The Line

Read "The Line" reviewed by Mark Corroto


Guitarist Luís Lopes posted the following quote on his Facebook page, “art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...

4

Article: Album Review

Rodrigo Amado Motion Trio & Peter Evans: The Freedom Principle

Read "The Freedom Principle" reviewed by Alberto Bazzurro


Inciso anch'esso a Lisbona, però in studio, due soli giorni dopo (quindi il 18 marzo 2013) il Live in Lisbon recensito di recente, questo nuovo lavoro del trio plus del sassofonista portoghese, pur fondandosi sempre sull'improvvisazione senza rete, presenta tuttavia strutture più rigide (almeno questa è l'impressione che ci trasmette), compassate, formalmente tornite. ...

30

Article: Album Review

Rodrigo Amado's Motion Trio + Peter Evans: The Freedom Principle

Read "The Freedom Principle" reviewed by Mark Corroto


Saxophonist Rodrigo Amado requires a proper foil to his music making. Not so much a player who is his converse, but more like a complementary player. One who completes or enhances his sound. In trumpeter Peter Evans, he has found his homogeneous antithesis. Heard on two recent recordings, the LP-only release Live In Lisbon> ...

6

Article: Album Review

Rodrigo Amado Motion Trio & Peter Evans: Live in Lisbon

Read "Live in Lisbon" reviewed by Alberto Bazzurro


Live performance allo stato brado, quella raccolta in questo LP (un ampio brano per facciata, come da più consolidate tradizioni “viniliche"), che vede il trio del sassofonista portoghese e l'illustre ospite americano disimpegnarsi al meglio all'interno dello spazio offerto (in senso lato) dal Teatro Maria Matos di Lisbona il 16 marzo 2013. Il ...

11

Article: Multiple Reviews

Rodrigo Amado Motion Trio meetings with Peter Evans

Read "Rodrigo Amado Motion Trio meetings with Peter Evans" reviewed by Eyal Hareuveni


Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...

34

Article: Multiple Reviews

Rodrigo Amado's Motion Trio and Peter Evans

Read "Rodrigo Amado's Motion Trio and Peter Evans" reviewed by John Sharpe


Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...

26

Article: Album Review

Rodrigo Amado: Wire Quartet

Read "Wire Quartet" reviewed by Eyal Hareuveni


The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...


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