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Luís Lopes Lisbon Berlin Trio: The Line
by Mark Corroto
Guitarist Luís Lopes posted the following quote on his Facebook page, “art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...
Rodrigo Amado Motion Trio & Peter Evans: The Freedom Principle
by Alberto Bazzurro
Inciso anch'esso a Lisbona, però in studio, due soli giorni dopo (quindi il 18 marzo 2013) il Live in Lisbon recensito di recente, questo nuovo lavoro del trio plus del sassofonista portoghese, pur fondandosi sempre sull'improvvisazione senza rete, presenta tuttavia strutture più rigide (almeno questa è l'impressione che ci trasmette), compassate, formalmente tornite. ...
Rodrigo Amado's Motion Trio + Peter Evans: The Freedom Principle
by Mark Corroto
Saxophonist Rodrigo Amado requires a proper foil to his music making. Not so much a player who is his converse, but more like a complementary player. One who completes or enhances his sound. In trumpeter Peter Evans, he has found his homogeneous antithesis. Heard on two recent recordings, the LP-only release Live In Lisbon> ...
Rodrigo Amado Motion Trio & Peter Evans: Live in Lisbon
by Alberto Bazzurro
Live performance allo stato brado, quella raccolta in questo LP (un ampio brano per facciata, come da più consolidate tradizioni “viniliche"), che vede il trio del sassofonista portoghese e l'illustre ospite americano disimpegnarsi al meglio all'interno dello spazio offerto (in senso lato) dal Teatro Maria Matos di Lisbona il 16 marzo 2013. Il ...
Rodrigo Amado Motion Trio meetings with Peter Evans
by Eyal Hareuveni
Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...
Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
Rodrigo Amado: Wire Quartet
by Eyal Hareuveni
The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...
Rodrigo Amado: Wire Quartet
by Glenn Astarita
Portuguese saxophonist Rodrigo Amado is an aggressive, improvisational dynamo who has amassed a hearty discography for Clean Feed Records and several other European record labels. His mode of delivery parallels a heavyweight boxer who jabs, dances, and executes vicious left hooks and uppercuts. Recorded in a Lisbon studio, his quartet opens the floodgates with blossoming theme ...
Rodrigo Amado: Wire Quartet
by Mark Corroto
It is possible that Portuguese saxophonist Rodrigo Amado's earlier releases caught your attention because of the names of his playing partners. Chicago trombonist Jeb Bishop recorded two discs with Amado's Motion Trio, The Flame Alphabet (Not Two, 2012) and Burning Live At Jazz AO Centro (JACC Records, 2012). There was also Searching For Adam (Not Two, ...
Rui Neves e la scena jazzistica portoghese
by Libero Farnè
Nel 2013 su All About Jazz Italia comparve una serie organica di interviste da parte di Enrico Bettinello a protagonisti del jazz italiano (produttori, agenti, direttori artistici...) con l'obiettivo di analizzare i meccanismi e i criteri che caratterizzano la programmazione dei festival jazz nel nostro Paese. A quella meritoria ed esauriente iniziativa si può ricollegare idealmente ...
