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8

Article: Album Review

Peter DiCarlo: The Other Side

Read "The Other Side" reviewed by Richard J Salvucci


On “The Other Side," Peter di Carlo plays a repeated figure that reminds one of John Coltrane trying to find “Giant Steps." Nonetheless, DiCarlo is an alto player, and more in the vein of Marc Russo or someone out of Tower of Power than a typical post-bop alto player. The figure, the shape and pacing of ...

6

Article: Album Review

Dave Stryker: Groove Street

Read "Groove Street" reviewed by Richard J Salvucci


This is a throwback recording, but in a very good way. Time was someone could get in a car on a weekend morning, roll the window down, turn the FM up and drive to a happy place. It really did not matter much where: the music got you there because it was just that kind of ...

10

Article: Reassessing

The Cry!

Read "The Cry!" reviewed by Richard J Salvucci


This recording is, at first glance, a bit of an unusual choice by Craft Recording for its Contemporary Records Acoustic Sound Series audiophile vinyl series. Neither Prince Lasha (pronounced Lashay) nor Sonny Simmons make an appearance in Bill Kirchner's The Oxford Companion to Jazz (Oxford University Press, 2000). An earlier reviewer for AAJ allowed as how ...

9

Article: Album Review

Amber Weekes: A Lady With a Song

Read "A Lady With a Song" reviewed by Richard J Salvucci


It is difficult to know exactly what to do with a recording like this. Amber Weekes is a very good singer, and from the outset, she calls this a “celebration" of Nancy Wilson, not an imitation or a recreation. You can hear Wilson's influence throughout: her articulation, occasional staccato delivery, deep sincerity and emotional heft come ...

3

Article: Album Review

Radam Schwartz: Saxophone Quartet Music

Read "Saxophone Quartet Music" reviewed by Richard J Salvucci


A listener who remembers when saxophone quartets were a novelty--and a controversial one at that--is probably wondering how much the Cost-of-Living Adjustment will be for Social Security in 2025. Yes, the esteemed World Saxophone Quartet kicked up as much a critical fuss in the late 1970s as Ornette Coleman did in the 1950s. Not as “In ...

6

Article: Book Review

Jack Pyle's Son

Read "Jack Pyle's Son" reviewed by Richard J Salvucci


Jack Pyle's Son Ralph (Randy) Pyle 254 Pages ISBN: # 13:9798326940865 Ralph Pyle publisher 2024 One must be of a certain age to remember when life in an automobile was inevitably accompanied by AM radio. You must be even older (and probably a centenarian) to remember when the home ...

2

Article: Album Review

Rose Mallett: Dreams Realized

Read "Dreams Realized" reviewed by Richard J Salvucci


Rose Mallett has an intriguing story, and that history comes out in her singing. While she is a chameleon, channeling Sarah Vaughan and Ella Fitzgerald, she is also a powerhouse performer, witty and a born raconteur. One could think of a lot worse combinations in a jazz singer. Mallett seemingly knows how to work a room ...

6

Article: Album Review

Paula Maya: Rio de Janeiro

Read "Rio de Janeiro" reviewed by Richard J Salvucci


It is important to understand that this is a Brazilian recording which, like singer Paula Maya, made its way to the United States. Maya, who now calls Austin, Texas home, writes, plays, teaches and sings. She has a significant number of previous recordings--nearly a dozen--to her credit, but this one is a bit different. For one ...

9

Article: Album Review

Howard McGhee: Maggie's Back In Town!!

Read "Maggie's Back In Town!!" reviewed by Richard J Salvucci


A picture (a video, in fact) is worth a thousand words. Consider one of Howard McGhee around 1966. It is at the Newport Jazz Festival, and an unlikely group of trumpeters is doing a bop tune at metronome-busting speed. The group includes Bobby Hackett and Ruby Braff (unlikely, no?). Hackett is delightedly laughing. Braff walks off ...

14

Article: Reassessing

Rollin' With Leo

Read "Rollin' With Leo" reviewed by Richard J Salvucci


Leo Parker may not be a name that instantly springs to mind in the world of late 1940s bebop. There was one point, in 1948, however, when serious people, like Barry Ulanov, regarded Parker as the best baritone saxophonist around--in company with Charlie Parker and Fats Navarro. That is fancy company, so it is worth asking ...


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