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Liz Cole: I Want to Be Happy
by Richard J Salvucci
"Unfortunately, I became entangled in a variety of day jobs and set music on the backburner for a shameful number of years. Finally, I have realized that I don't want to work in an office." How often has some frustrated artist said just those words, or some variant? The music business is a tough one, and ...
Mike Boone Friends and Family: Confirmation
by Richard J Salvucci
Sometimes, a random listener intervenes to comment on music a reviewer is working on. “Who are those guys?" with a tone that means, “I should know this right?" Well, if you happen to be from Philadelphia, shame on you. This was some kind of party, maybe a party in a church, or as bassist Mike Boone ...
Rachel Therrien: Mi Hogar II
by Richard J Salvucci
Rachel Therrien is a Canadian composer and trumpet player who has been around for some time, though her name may be unfamiliar. Therrien's musical journey has taken her from Rimouski, Quebec to Havana, Cuba via New York City and Colombia. Her Latin Jazz Project is nothing if not arresting, and probably merits a name like avant-garde ...
Then As Now: The Music Is To Die For
by Richard J Salvucci
Hey, it's September 1, 1939 and at the top of the charts is Glenn Miller and His Orchestra with the, whoops, singularly inappropriate tune “In the Mood." In the mood for what? Invading Poland? Because that was “officially" the start of World War II in Europe. In the Far East, things had been going on considerably ...
The Cinderella So Few Got to Hear: Late Artie Shaw is the Best Artie Shaw
by Richard J Salvucci
Artie Shaw will always be a bit of a puzzle to his fans--"morons, “ as he once characterized some of us. The best band he ever fronted, and said so more than once, was his 1949-50 “bop" band. Benny Goodman had a similar outfit around the same time, which, like Shaw's, featured excellent young musicians who ...
Cliff Korman: Urban Tracks
by Richard J Salvucci
An avid listener of Brazilian music could go crazy trying to figure out exactly where Cliff Korman comes down musicially. His opening track , “Cheio de Malicia" could almost be taken for some sort of stride-bossa--the same feel pops up on “Canhoto" too--with allusions to Kenny Barron, Vince Guaraldi, McCoy Tyner even. Paired with bassist Harvie ...
Paul Dietrich's Elemental Quartet: A Small Patch of Earth
by Richard J Salvucci
Anyone who spends much time watching contemporary instrumentalists on the internet is bound to come away impressed. Modern players, it sometimes seems, can do just about anything. And that is particularly true of some instruments in the brass family, where the advances in technique and range over just a half-century are particularly impressive. There are many ...
Bruna Black: Vã Revelação
by Richard J Salvucci
Bruna Black is yet another one of those performers who started as something other than a singer but got there as soon as she could. Supposedly, she was a semi-pro basketball player, although that is not easy to run down. She certainly is a singer and a good one. Her repertoire in this recording is all ...
Kiki Valera: Vacilón Santiaguero
by Richard J Salvucci
In Cuban Spanish (and, for sure, there is no generic Spanish in Latin America), vacilón means, well, one hell of a good time. And that is what you can expect from this punchy collection, a great time a la Santiago de Cuba, the capital of one of Cuba's southeastern provinces. It is the land of Bacardí ...
Livio Almeida: Brasília Sessions
by Richard J Salvucci
This is a good recording by a very good instrumentalist. Livio Almeida is a Brazilian saxophonist living in New York, but whether or not Almeida sounds particularly “Brazilian" is for others to say. Frankly, his tenor playing is straight ahead and while there are Latin rhythms galore, Almeida's “Brasilia Afro Samba" really recalls the guitar riff ...
