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Results for "Richard J Salvucci"
Beverley Church Hogan: Sweet Invitation
by Richard J Salvucci
In 1984, an American writer named Harriet Doerr published a compelling novel called Stones for Ibarra (Penguin Books). The novel, partly autobiographical, was about rural Mexico. Ms. Doerr's novel was her first. It won a National Book Award. Doerr had attended university for a bit but dropped out to raise a family. She was 74 years ...
Dana Fitzsimons: Fault Lines
by Richard J Salvucci
Fault Lines is never going to be confused with easy listening. While it has somehow acquired the label of free jazz, whatever that is, it is not cacophonous, aimless or even particularly adventurous. It is difficult in the way that Brad Mehldau is difficult, which is to say, one has to pay attention. There are distinct ...
Vicki Burns: Lotus Blossom Days
by Richard J Salvucci
Who knew “Del Sasser" had lyrics? Part of the joy of listening to new recordings is finding such things out. And Vicki Burns does a convincing job of it. In this intriguing compilation of standards--yes, musicians can record from the Great American Songbook (GAS) without disgracing themselves, no matter what anyone says--bop heads and originals, Vicki ...
Ada Bird Wolfe: Odd Bird
by Richard J Salvucci
There is a style of singing--midway between conversation and conventional vocal technique—which can only be called talk-singing, or something to that effect. It puts considerable weight on the meaning of the song, the words themselves, rather than the melody per se. Chances are, one could not hum such a tune if one wanted to. To some ...
Jimmy Branly: The Meeting
by Richard J Salvucci
There are decades when nothing happens, said Lenin, and weeks when decades happen. There have been far too many weeks in the three years since 2019 when decades went by. Looking for stability in the midst of madness may be a fool's errand, but it is for just such instances that recordings like The Meeting are ...
Dan Olivo: Day by Day
by Richard J Salvucci
“Hey there, cutes, Put on your dancin' boots, And come dance with me." Frank Sinatra could get away with that and much more because he had a great voice, great musicians, great arrangers, and great bandleaders. The entire package. Frank defined a certain kind of 1950s and 1960s Vegas hip, and if ...
San Gabriel 7: Under The Stars
by Richard J Salvucci
How many times has one heard the saying, “This isn't rocket science"? Well, in this case, it is. One might be tempted to think Jim Lewis' biography is fictional, but no. Lewis is the trombone player and founding member of San Gabriel 7 (SGS). He was a student (and friend) of Bill ...
Ester Wiesnerova: Blue Journal
by Richard J Salvucci
By any standard, this is a remarkable production. Ester Wiesnerova's debut recording, long in the making, reminds one of Joni Mitchell or Holly Near, although her music is not really music of social protest, but meditations on identity. Since some of it is in Slovak, a language not accessible to a nonspeaker, a listener takes it ...
Dave Stryker: As We Are
by Richard J Salvucci
One of the few good things about coming late to a party is that you don't have to start the conversation. The guests are there, drinks have been served, and one way or another, a tone—or several—has been set. All you have to do is blend in. Sometimes it is easy. Other times it is not.
Rique Pantoja: Live In Los Angeles
by Richard J Salvucci
Live in Los Angeles was first released in 2001 and this is a remastering and reissue. It says something good about the compositions and the players that the material remains vital, fresh and bright. There is something about Brazilian music that just ages well, which seemingly accounts for its perennial popularity. You can call it what ...
