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Ada Bird Wolfe: Odd Bird
by Richard J Salvucci
There is a style of singing--midway between conversation and conventional vocal technique—which can only be called talk-singing, or something to that effect. It puts considerable weight on the meaning of the song, the words themselves, rather than the melody per se. Chances are, one could not hum such a tune if one wanted to. To some ...
Jimmy Branly: The Meeting
by Richard J Salvucci
There are decades when nothing happens, said Lenin, and weeks when decades happen. There have been far too many weeks in the three years since 2019 when decades went by. Looking for stability in the midst of madness may be a fool's errand, but it is for just such instances that recordings like The Meeting are ...
Dan Olivo: Day by Day
by Richard J Salvucci
“Hey there, cutes, Put on your dancin' boots, And come dance with me." Frank Sinatra could get away with that and much more because he had a great voice, great musicians, great arrangers, and great bandleaders. The entire package. Frank defined a certain kind of 1950s and 1960s Vegas hip, and if ...
San Gabriel 7: Under The Stars
by Richard J Salvucci
How many times has one heard the saying, “This isn't rocket science"? Well, in this case, it is. One might be tempted to think Jim Lewis' biography is fictional, but no. Lewis is the trombone player and founding member of San Gabriel 7 (SGS). He was a student (and friend) of Bill ...
Ester Wiesnerova: Blue Journal
by Richard J Salvucci
By any standard, this is a remarkable production. Ester Wiesnerova's debut recording, long in the making, reminds one of Joni Mitchell or Holly Near, although her music is not really music of social protest, but meditations on identity. Since some of it is in Slovak, a language not accessible to a nonspeaker, a listener takes it ...
Dave Stryker: As We Are
by Richard J Salvucci
One of the few good things about coming late to a party is that you don't have to start the conversation. The guests are there, drinks have been served, and one way or another, a tone—or several—has been set. All you have to do is blend in. Sometimes it is easy. Other times it is not.
Rique Pantoja: Live In Los Angeles
by Richard J Salvucci
Live in Los Angeles was first released in 2001 and this is a remastering and reissue. It says something good about the compositions and the players that the material remains vital, fresh and bright. There is something about Brazilian music that just ages well, which seemingly accounts for its perennial popularity. You can call it what ...
Jim Self: Hangin' Out
by Richard J Salvucci
One can be forgiven for not knowing a saxhorn from a saxophone, or, for that matter, whether a particular horn is a member of a certain family. Yes, there are aficionados (not to mention serious players) who can quite accurately describe the histories of the instruments, their lineages, and their peculiarities or idiosyncracies. Yet for many, ...
Mark Winkler: Late Bloomin' Jazzman
by Richard J Salvucci
Anyone who can hold their own on a stage on in a studio with Cheryl Bentyne cannot be all bad, right? Even if one's taste runs more to Harry Connick, Jr than to Mark Murphy, it is difficult not to get seriously into Mark Winkler. Oh, he can sing, for sure, but even if he could ...
Carol Sloane: Carol Sloane Live At Birdland
by Richard J Salvucci
Was there ever a more storied exponent of the Great American Songbook than Carol Sloane? She started singing professionally at the age of fourteen, made her first recording in 1959, was the “gal singer" for Arthur Godfrey for a spell, and went on to record virtually any tune you can think of (and, more than likely, ...
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