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Results for "Richard J Salvucci"
Stan Killian: Brooklyn Calling
by Richard J Salvucci
Years ago, a group of folks were having dinner at a Westside San Antonio, Texas, restaurant known as Los Barrios. Occasionally, some restaurants there would start a jazz policy. In a place better known for mariachis, this would be a pleasant surprise. One Friday evening, some kid was playing tenor sax, quite a bit of tenor ...
Steve Knight: Persistence
by Richard J Salvucci
Readers have surely heard of a “sniff test." It is an informal assessment that something, particularly in finance, just does not look right. It is usually intuitive rather than formal. But many analysts employ one before turning to more elaborate kinds of examinations to verify their suspicions. Music has no sniff test, but it ...
Beverley Church Hogan: Sweet Invitation
by Richard J Salvucci
In 1984, an American writer named Harriet Doerr published a compelling novel called Stones for Ibarra (Penguin Books). The novel, partly autobiographical, was about rural Mexico. Ms. Doerr's novel was her first. It won a National Book Award. Doerr had attended university for a bit but dropped out to raise a family. She was 74 years ...
Dana Fitzsimons: Fault Lines
by Richard J Salvucci
Fault Lines is never going to be confused with easy listening. While it has somehow acquired the label of free jazz, whatever that is, it is not cacophonous, aimless or even particularly adventurous. It is difficult in the way that Brad Mehldau is difficult, which is to say, one has to pay attention. There are distinct ...
Vicki Burns: Lotus Blossom Days
by Richard J Salvucci
Who knew “Del Sasser" had lyrics? Part of the joy of listening to new recordings is finding such things out. And Vicki Burns does a convincing job of it. In this intriguing compilation of standards--yes, musicians can record from the Great American Songbook (GAS) without disgracing themselves, no matter what anyone says--bop heads and originals, Vicki ...
Ada Bird Wolfe: Odd Bird
by Richard J Salvucci
There is a style of singing--midway between conversation and conventional vocal technique—which can only be called talk-singing, or something to that effect. It puts considerable weight on the meaning of the song, the words themselves, rather than the melody per se. Chances are, one could not hum such a tune if one wanted to. To some ...
Jimmy Branly: The Meeting
by Richard J Salvucci
There are decades when nothing happens, said Lenin, and weeks when decades happen. There have been far too many weeks in the three years since 2019 when decades went by. Looking for stability in the midst of madness may be a fool's errand, but it is for just such instances that recordings like The Meeting are ...
Dan Olivo: Day by Day
by Richard J Salvucci
“Hey there, cutes, Put on your dancin' boots, And come dance with me." Frank Sinatra could get away with that and much more because he had a great voice, great musicians, great arrangers, and great bandleaders. The entire package. Frank defined a certain kind of 1950s and 1960s Vegas hip, and if ...
San Gabriel 7: Under The Stars
by Richard J Salvucci
How many times has one heard the saying, “This isn't rocket science"? Well, in this case, it is. One might be tempted to think Jim Lewis' biography is fictional, but no. Lewis is the trombone player and founding member of San Gabriel 7 (SGS). He was a student (and friend) of Bill ...
Ester Wiesnerova: Blue Journal
by Richard J Salvucci
By any standard, this is a remarkable production. Ester Wiesnerova's debut recording, long in the making, reminds one of Joni Mitchell or Holly Near, although her music is not really music of social protest, but meditations on identity. Since some of it is in Slovak, a language not accessible to a nonspeaker, a listener takes it ...
