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Richard "Groove" Holmes
Born:
Richard Arnold "Groove" Holmes, Born Richard Arnold Jackson (Camden, New Jersey) was a jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of "Misty," and is considered a precursor of acid jazz. Holmes burst onto the music scene in the early 1960s (his first album, on Pacific Jazz with guest {{Ben Webster = 11235}} was recorded in March 1961). An African-American, literally a heavyweight (approximately 300 pounds) and physically rotund in stature, he gained immediate respect with an inimitable style of his own. His sound was immediately recognizable in the upper register, but even more so because of his virtuosity in creating, undoubtedly, the most rapid, punctuating, and pulsating basslines of all the jazz organists
Prescribing Jazz: A Top Ten
by Artur Moral
National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...
Jazz Musician of the Day: Richard "Groove" Holmes
All About Jazz is celebrating Richard “Groove" Holmes' birthday today! Richard Arnold “Groove" Holmes, Born Richard Arnold Jackson (Camden, New Jersey) was a jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of “Misty," and is considered a precursor of acid jazz. Holmes burst onto ...
Walter Bishop Jr.: Bish at the Bank: Live in Baltimore
by Troy Dostert
Although he played with many of the icons of bebop's formative years from Bird to Miles, as well as those who were starting to reach for something beyond, including Ken McIntyre and Jackie McLean, pianist Walter Bishop Jr. never got his due as a leader, remaining woefully under-recorded until the 1970s. Most of his albums remain ...
Muriel Grossmann: Universal Code
by Mark Corroto
Infectious is a word much maligned of late. What with a worldwide pandemic, the word has come to stand in for other terms such as contagious and transmittable. The word though has another meaning as demonstrated by saxophonist Muriel Grossmann's Universal Code. Infectious can also mean irresistible or compelling in an infectious way. Together with her ...
Club d'Elf: You Never Know
by Chris M. Slawecki
You Never Know is the Club d'Elf studio album that captures the whirling, overlapping orbits of acoustic, electric and exotic sounds of the floating improvisational collective, which has recorded and performed together for more than two decades, with crisp studio clarity. But more importantly, You Never Know celebrates light born from darkness. Bassist and ...
Freaks in Mayberry & the Boney Oscar Stomp
by Chris M. Slawecki
Giuseppe Paradiso & Meridian 71 Parallel Dimensions Ubuntu Music 2022 Parallel Dimensions steers the listener's imagination through a luxurious multicultural tapestry woven in music by drummer, vocalist, composer, arranger and producer Giuseppe Paradiso and his sextet. It explores broad musical horizons that can sound radiantly bright ...
Joey DeFrancesco: From Musical Prodigy to Jazz Icon
by Victor L. Schermer
Joey DeFrancesco is a true master of the jazz organ, the one others look up to as the standard bearer, as was his inspirational hero, Jimmy Smith. Arguably, he could be dubbed the Mozart of the jazz organ, since like Mozart, he seemed to have been born with all the music already in him. By four, ...
Jazz Musician of the Day: Richard "Groove" Holmes
All About Jazz is celebrating Richard “Groove" Holmes' birthday today! Richard Arnold “Groove" Holmes, Born Richard Arnold Jackson (Camden, New Jersey) was a jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of “Misty," and is considered a precursor of acid jazz. Holmes burst onto ...
Pat Martino: The Continual Pulsation of the Now
by Chris M. Slawecki
This article was first published at All About Jazz in October 2000. Listening to Pat Martino speak feels like he's playing guitar. He employs elegantly elongated lines, thoughtful and deep. He says plenty but never too much. He projects the best type of wisdom, wisdom gained by reflecting upon experience. And, boy, does Pat ...
