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Ab Baars e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Ab Baars: Allegramente ostinata. AAJ: La qualità che desidero nei musicisti che suonano con me. A.B.: Grandi orecchie e una storia da raccontare. AAJ: Come musicista, il momento in cui sono stato più felice. A.B.: ...
Rex Richardson: Bugles Over Zagreb: The Music of Doug Richards and Blue Shift
by Ken Hohman
Rex Richardson Bugles Over Zagreb: The Music of Doug Richards Self Produced 2014 Master class trumpeter virtuoso Rex Richardson is one of a rare breed of jazz musicians who can successfully straddle the worlds of classical and jazz without sounding like he's a mere overnight guest when performing in ...
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
Dick Hyman: The Beat Goes On
by Chris M. Slawecki
Composer, arranger, bandleader, pianist, soloist and accompanist Dick Hyman has already lived several jazz lifetimes, and as he contemplates his 86th birthday in March 2013, his career shows no sign of slowing down.A New York City native, Hyman served as pianist with a Dixieland band and with Lester Young at the December 1949 opening ...
Alexander Hawkins: Retaining The Sense of Discovery
by John Sharpe
One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...
Duke Ellington: My People - The Complete Show and The Treasury Shows, Volume 16
by Chris Mosey
Duke Ellington stood aloof from the Civil Rights movement. As a self proclaimed patriot he was extremely uneasy about the street protests and civil disobedience sweeping America the 1960s. He didn't participate in Martin Luther King's 1963 Great March on Washington. He would deal with the issue his way, he said, and went ...
Last Call Late Night Jam This Week on Riverwalk Jazz
Often at late night jam sessions, when the bartender is about to give “last call," the best jazz of the evening can be heard and savored. Those who stick around get rewarded with some of the hardest swinging, most creative music there is. It was on a night like this, at the end of the Sacramento ...
Steve Brown: Atlas Slapped
by Andrew J. Sammut
The word bass means bottom. It means support. That's the prime requisite of a bassist, support. Architecturally, it has to be the lowest part of the building, and it has to be strong, or the building will not stand. Musically, it is the lowest human voice. It is the lowest musical voice in the orchestra. It's ...
Jacques Coursil: Trails of Tears
by Raul d'Gama Rose
Trumpeter, Jacques Coursil's Trails of Tears is quite simply, a monumental undertaking and a major work that ought to bring to light some of the earlier work that comments on colonialism in America, such as the equally important Gorée (Schemp, 1984), from Beaver Harris/Don Pullen 360˚ Experience; that composition itself being a strident dirge about the ...
Paul Hubweber / Philip Zoubek: Archiduc Concert: Dansaert Variations
by Raul d'Gama Rose
Paul Hubweber's trombone may be pitched in Bb, as all tenor trombones are, an octave below the trumpet, but the trombonist being an itinerant spirit, makes twists and turns of pitch and, therefore, timbre, until he turns his instrument into a chorus of voices. On Archduc Concert : Dansaert Variations Hubweber comes bursting out of the ...
