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The John La Barbera Big Band: Grooveyard
by Nicholas F. Mondello
The geometry, if you will, of a terrific big band recording is such that the three major elements--the players, the arrangements, and the performance--balance in every regard. Grooveyard from the John La Barbera Big Band is such an offering. The album features ten masterfully selected, arranged, and performed selections, each containing outstanding section, solo, and ensemble ...
Jim Snidero: Strings
by Dan McClenaghan
The initial recording of Jim Snidero's Strings ran into a roadblock. The session was scheduled at System Two Studios in Brooklyn, New York, on September 11th 2001. That was the date the world changed, with airplanes flying into buildings in New York City. Strings was postponed. The music eventually came together in October and ...
Newport Jazz Festival 2019
by Doug Hall
Newport Jazz Festival Fort Adams State Park Newport, RI August 2-4, 2019 The 65th Anniversary Newport Jazz Festival continued an established tradition of delivering an exceptional level of high quality musicianship. Over the three fully packed days (and one special evening at the International Tennis Hall of Fame) from August 2nd ...
Tom Kennedy: In A New York Minute
by Jim Worsley
Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...
Nick Finzer: Hear & Now
by Dan McClenaghan
New York-based trombonist Nick Finzer has benefited from mentorships under trombone masters Wycliffe Gordon and Steve Turre; but his third CD release, Hear And Now also brings the original trombone master, J.J. Johnson to mind. One of Johnson's last CDs, the minor masterpiece, Heroes (Verve Records, 1995), featured a sextet configuration with an enormously-talented pianist, Rene ...
Ralph Bowen: Dedicated
by Woodrow Wilkins
Many new releases seem to follow one stringent formula or another--whether to deliver cookie-cutter music to the masses, in hopes of getting noticed by commercial radio, or to adopt a certain trend, be it the traditional piano-led trio or covering standards. With that in mind, it's rarely, if ever, a bad thing when an artist or ...
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