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6

Article: Album Review

RED Trio & John Butcher: Summer Skyshift

Read "Summer Skyshift" reviewed by John Sharpe


It was the release of Empire (No Business, 2011) that constituted the point at which many people first began to pay attention to the Portuguese Red Trio. That collaboration with English saxophonist John Butcher featured on several year end lists. It paved the way for a series of further alliances, documented on disc with trumpeter Nate ...

5

Article: Album Review

Marilyn Lerner / Ken Filiano / Lou Grassi: Live At Edgefest

Read "Live At Edgefest" reviewed by John Sharpe


Three stalwarts of the improvised music scene combine to persuasive effect on the limited edition LP Live At Edgefest. An excellent sound allows Canadian pianist Marilyn Lerner and the NYC-based pairing of bassist Ken Filiano and drummer Lou Grassi to be heard as part of a truly egalitarian collective. A strong group dynamic is evident straight ...

5

Article: Album Review

Deux Maisons: For Sale

Read "For Sale" reviewed by John Sharpe


The two houses name-checked in the outift's moniker refer to the twin countries represented by the string pairing of French brothers Théo and Valentin Ceccaldi and the Portuguese duo of trumpeter Luis Vicente and drummer Marco Franco. Vicente already boasts a well received previous disc in Clocks & Clouds (FMR, 2014) which matched both him and ...

5

Article: Album Review

Dre Hocevar Trio: Coding Of Evidentiality

Read "Coding Of Evidentiality" reviewed by John Sharpe


Slovenian-born, New York based drummer Dre Hocevar may not be a familiar name to many but that will likely change after Coding Of Evidentiality. Hocevar has convened a trio which sits comfortably in the lineage of the Portuguese Red Trio (who can be heard to good effect on Empire (No Business, 2011, Stem (Clean Feed, 2012) ...

13

Article: Album Review

Casa Futuro: Casa Futuro

Read "Casa Futuro" reviewed by John Sharpe


At the juncture of free jazz and free improv sits the eponymous debut of Casa Futuro. In a truly co-operative trio, saxophonist Pedro Sousa joins forces with bassist Johan Berthling and drummer Gabriel Ferrandini. Portuguese improvisers Sousa and Ferrandini last combined with Sonic Youth frontman Thurston Moore on Live At ZDB (Shhpuma, 2014), while Berthling keeps ...

3

Article: Album Review

Roil: Raft of the Meadows

Read "Raft of the Meadows" reviewed by John Sharpe


Established in 2007, Roil comprises three Australians from the Sydney jazz scene, sharing pianist Chris Abrahams with that other better known Antipodean combo The Necks. Like that last outfit Roil manifests as an egalitarian concern, continuing in the lineage trailblazed by Bill Evans in the 1960s via Howard Riley's trio with Barry Guy a decade later. ...

Album

North And The Red Stream

Label: NoBusiness Records
Released: 2014
Track listing: North; Red; Stream.

11

Article: Album Review

RED Trio and Mattias Ståhl: North And The Red Stream

Read "North And The Red Stream" reviewed by John Sharpe


On their fifth album, Swedish vibraphonist Mattias Ståhl joins the Portuguese Red Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU ...

26

Article: Album Review

Rodrigo Amado: Wire Quartet

Read "Wire Quartet" reviewed by Eyal Hareuveni


The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...

5

Article: Album Review

Christine Wodrascka/ Jean Luc Cappozzo/ Gerry Hemingway: Grey Matter

Read "Grey Matter" reviewed by John Sharpe


Impromptu meetings between improvisers hailing from diverse backgrounds are by now a commonplace event. But it's less usual is for the resultant grouping to take on a collective name, the surnames or initials normally sufficing for commoditization. For a group to perform under a moniker implies both a sense of purpose and a strong shared identity, ...


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