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Red's Good Groove
By Red Garland
Label: Unknown label
Released: 2002
Track listing:
Red's Good Groove; Our Love Is Here To Stay; This Time The Dream's On Me; Take Me In Your Arms; Excerenti; Falling In Love With Love. (Total Time: 36:50).
Art Pepper Meets the Rhythm Section
By Art Pepper
Label: Contemporary
Released: 2002
Track listing: You'd Be So Nice To Come Home To; Red Pepper Blues; Imagination;
Waltz Me Blues; Straight Life; Jazz Me Blues; Tin Tin Deo; Star Eyes; Birk's Works; The Man I Love.
Stretching Out
By Red Garland
Label: Fantasy Jazz
Released: 2002
Track listing: Satin Doll; The Man I Love; A Little Bit of Basie; It's A Blue World;
M-Squad Theme; Lil' Darlin'; BLues in the Closet; Like Someone In
Love.
Red Garland: Stretching Out
by David Rickert
Down the road Red Garland will probably only be remembered for his brief stint with Miles Davis, but he also recorded some fine trio work as well. This two-fer captures two sessions, about two-thirds of which were recorded live. At first, Garland seems like little more than a talented cocktail pianist, but as each tunes progresses ...
Red Garland (Jazzland / OJC OJCCD-1064-2: Red's Good Groove
by C. Michael Bailey
When Red is Blue. And Red is always blue when he records. Death, Taxes, and Red Garland playing the blues— One can count on all of these things. Red's Good Groove was recorded in early 1962 by the Miles Davis nucleus of Garland and drummer Philly Joe Jones. Sam Jones replaces the ubiquitous Paul Chambers ...
It's a Blue World
By Red Garland
Label: Prestige Records
Released: 2000
Track listing: This Can
Art Pepper
by Robert Spencer
It's all in his remarkable autobiography, Straight Life. Art Pepper was a junkie. First and foremost. He spent long stretches in prison, had innumerable wild adventures, and used drugs to the end of his life. He spent years devoted entirely to scoring the next dose. But in and through it all, he somehow managed to become ...
Red Garland Trio: It's a Blue World
by Derek Taylor
One of the hardest working trios of the 50s the Garland/Chambers/Taylor unit recorded more than a dozen sessions for the Prestige label and its subsidiaries during a four year stretch at the close of the decade. In slightly different form with “Philly” Joe Jones replacing Taylor they were also the formidable rhythm section for Miles Davis’ ...


