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Article: Reassessing

Art Tatum: Solo Masterpieces, Volume One

by C. Michael Bailey
September 24, 2013

Art TatumSolo Masterpieces, Volume OneOJC1975/2013 If blues icon Robert Johnson is a phantom, then pianist Art Tatum is a myth. In spite of James Lester's 1995 biography Too Marvelous For Words: The Life and Genius of Art Tatum (Oxford University Press, 1995), little is known of Tatum, ...

Article: Reassessing

Zoot Sims And The Gershwin Brothers

by C. Michael Bailey
September 23, 2013

Zoot SimsZoot Sims And The Gershwin BrothersOJC1975/2013 The Concord Music Group inaugurated their celebration of the 40th anniversary of Norman Granz's Pablo Records with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan-- Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013). These releases are ...

Article: Reassessing

Sarah Vaughan: Sophisticated Lady - The Duke Ellington Songbook Collection

by C. Michael Bailey
September 12, 2013

Sarah VaughanSophisticated Lady: The Duke Ellington Songbook CollectionOJC2013 Some long-ago forgotten jazz magazine once went out on a limb to name the most important figures in jazz history. It went something like this (chronologically): Louis Armstrong, Duke Ellington, Charlie Parker, Thelonious Monk, Miles Davis and John Coltrane. ...

Article: Reassessing

John Coltrane: Afro Blue Impressions

by C. Michael Bailey
August 29, 2013

John ColtraneAfro Blue ImpressionsOJC1963/2013 When considering the panoply of music living beneath the banner of Concord Music Group, there should be no problem understanding the company's reissue policy, which has been curious. Any wrinkles in such logic smooth out when anniversaries are celebrated. Concord recently acknowledged what ...

Article: Reassessing

Cannonball Adderley & Milt Jackson: Things Are Getting Better

by C. Michael Bailey
August 23, 2013

Cannonball Adderley & Milt JacksonThings Are Getting BetterOJC1959/2013 Alto saxophonist Cannonball Adderley's 1959 Things Are Getting Better joins guitarist Wes Montgomery's So Much Guitar!, trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & Loewe (OJC/Riverside, 1959/2013) and Gerry Mulligan's Mulligan Meets Monk (OJC/Riverside, 1957/2013) in ...

Article: Reassessing

Bill Evans Trio: How My Heart Sings

by C. Michael Bailey
August 20, 2013

The Bill Evans Trio How My Heart Sings OJC 1962/2013 Pianist Bill Evans' 1962 Riverside recording How My Heart Sings concludes the first wave of re-issues celebrating the 60th anniversary of Riverside Records. The previous releases include: alto saxophonist Julian Cannonball Adderley's 1959 Things Are Getting Better, guitarist Wes Montgomery's ...

Article: Reassessing

Wes Montgomery: So Much Guitar!

by C. Michael Bailey
August 19, 2013

Wes MontgomerySo Much Guitar!OJC1962/2013 Wes Montgomery's So Much Guitar! continues the latest round of re-releases/re-masters from the Concord Music Group, celebrating the 60th anniversary of Riverside Records. So Much Guitar! follows the re-releases of singer and trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & ...

Article: Reassessing

Chet Baker Plays The Best Of Lerner & Loewe

by C. Michael Bailey
July 26, 2013

Chet BakerChet Baker Plays The Best Of Lerner & LoeweOJC1959/2013 The newest round of re-releases/remasters from the Concord Music Group celebrate the 60th anniversary of Riverside Records. Singer and trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & Loewe joins Mulligan Meets Monk (OJC/Riverside, 1957/2013) ...

Article: Reassessing

Gerry Mulligan & Thelonious Monk: Mulligan Meets Monk

by C. Michael Bailey
July 21, 2013

Gerry Mulligan & Thelonious MonkMulligan Meets MonkOJC2013 (1957) The beauty of the Concord Music Group's treasure trove of a catalog is that it will always provide material for the “Reassessing" column at All About Jazz and similar columns elsewhere. The newest round of re-releases celebrate the 60th ...

Article: Reassessing

Welcome

by Jeff Winbush
August 4, 2012

Once upon a time there was a guitar god who had grown bored with all his fame, riches and glory. He longed for something more than another multi-platinum selling record. He desired not simply acclaim, but respect. He knew to get it he would have to walk away from the distinctive style that made him popular ...