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Results for "Ray Nance"
Diane Monroe: Bridging Diverse Musical Worlds
by Victor L. Schermer
Listening to Diane Monroe play jazz violin--whether solo, duo, or in a group--what's immediately evident is how great an improviser she is, fitting seamlessly with the music and the group, breathing and moving with the music. Only then does it become clear that she possesses the precision, complexity, and technique of a classical concert violinist. Indeed, ...
Take Five With Majid Khaliq
by AAJ Staff
Meet Majid Khaliq:Majid Khaliq is a violinist and composer cut from a different cloth. He has been described by legendary musician Wynton Marsalis as having “a unique blend of improvisation, groove and technical sophistication." Although classically trained, Khaliq's passion and musical palette ranges from the roots of American jazz music to the greats of ...
Storyville Records: A Treasure Trove of Swinging Jazz
by Chris May
Since its foundation during the European revivalist movement of the early 1950s, Copenhagen-based Storyville Records has grown into a major repository of New Orleans, big band and mainstream recordings. With something approaching 600 releases in its back catalogue, the label is a treasure trove of jazz that swings. Founded in 1952 by Danish jazz ...
It Don't Mean A Thing (If It Ain't Got That Swing)
Featuring the music of Ray Nance
Duration: 1:38
Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)
by Dan Bilawsky
I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...
John Pizzarelli: Rockin' in Rhythm: A Tribute to Duke Ellington
by C. Michael Bailey
John Pizzarelli is a walking, talking embarrassment of riches. He has a great pedigree, as his father, Bucky Pizzarelli), was a prodigious guitar talent (on a seven-string guitar, no less) with a voice like Chet Baker should have had. It is all this charm that Pizzarelli freely shares with us lesser mortals. Rockin' in Rhythm: A ...
Stuff Smith: Five Fine Violins Celebrating 100 Years
by Chris Mosey
Featured here in his twilight years, violinist Hezekiah Leroy Gordon “Stuff" Smith was born in Portsmouth, Ohio in 1909. Before he died in Denmark in 1967, he became one of the jazz world's most colorful characters, performing on occasion with a parrot on his shoulder and playing with everyone from Alphonso Trent's minstrel band to Dizzy ...
Bill Henderson: Beautiful Memory: Bill Henderson Live at the Vic
by Ken Dryden
Bill Henderson debuted during the 1950s, one of many ways in which he can be compared to the late Johnny Hartman. Both jazz vocalists showed plenty of promise early on, appearing with various bands during the decade and recording for prominent labels with major musicians. While each of them had their respective heydays during the 1960s, ...
Svend Asmussen: Rhythm Is Our Business
by Chris Mosey
Once, as they were jamming, Duke Ellington's drummer Sam Woodyard called out to Danish violinist Svend Asmussen, “Man, you play your ass off," to which The Fiddling Viking replied, with that charmingly naïvely innocent wit so typical of his homeland, “From now on then my name is only Mussen." There is just one ...
The Story of Jazz Trumpet
by AAJ Staff
The trumpet was the lead instrument in early jazz: it is the loudest solo instrument, the natural leader of a group of individuals, if you will. So, early trumpet pioneer Buddy Bolden (there is a photograph of him with a jazz band in 1894!) is most likely the first known jazzman simply because he was a ...
