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148

Article: Album Review

Trevor Watts & Veryan Watson: 5 More Dialogues

Read "5 More Dialogues" reviewed by Raul d'Gama Rose


Their conversations, garrulous and engaged in a monumental dissertation about life, emerge from out of a bottomless musical vortex. Such is the power and energy of 5 More Dialogues--the salvoes of arpeggios, from the hands of Veryan Weston, and the breathtaking glissandi, from the breath of Trevor Watts--that the gloom of nothingness into which the music ...

145

Article: Album Review

Charlotte Hug: Slipway to Galaxies

Read "Slipway to Galaxies" reviewed by Raul d'Gama Rose


There has always been something special about a performance by Charlotte Hug. Her revolutionary playing celebrated in the unique “soft-bowing" technique has turned the shrill glissandi of the viola into hues of deep, indulgent warmth. As her passion for the human interaction with her instrument developed, she began to meld her unique vocalistics, as well as ...

116

Article: Album Review

Matthew Shipp: Duos With Mat Maneri & Joe Morris

Read "Duos With Mat Maneri & Joe Morris" reviewed by Raul d'Gama Rose


To Matthew Shipp, the piano is a vast kaleidoscopic landscape that will always remain tonally uncharted. Sometimes it is daunting to traverse; at other times it is familiar. When faced with the prospect of the former, Shipp's dynamic and pianistic attack is quite different. He is aroused by the challenge of a pursuit flushed with mysterious ...

199

Article: Album Review

Wadada Leo Smith's Organic: Heart's Reflections

Read "Heart's Reflections" reviewed by Raul d'Gama Rose


To assess Wadada Leo Smith's contribution to the literature of his chosen instrument--the trumpet--as his sole claim to fame would be touching just the tip of the proverbial iceberg of his importance in the scheme of contemporary music. Firstly, there is a bottomless depth to him that rivals that of musicians such as Yusef Lateef and ...

175

Article: Album Review

Roswell Rudd: The Incredible Honk

Read "The Incredible Honk" reviewed by Raul d'Gama Rose


There is a distinct sense of the celebration of his 75th year on this good earth as trombonist Roswell Rudd continues the journey through his singular musical universe on his superb The Incredible Honk. Criss-crossing the paths he took when he first reconnected with ethnomusicologist producer and soul mate Verna Gillis, Rudd undertakes a sonic sojourn ...

260

Article: Highly Opinionated

Roswell Rudd: The Musical Magus Turns 75

Read "Roswell Rudd: The Musical Magus Turns 75" reviewed by Raul d'Gama Rose


"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...

199

Article: Album Review

Sir Roland Hanna: Colors from a Giant's Kit

Read "Colors from a Giant's Kit" reviewed by Raul d'Gama Rose


This 1990s recording, produced by William Sorin, a loving fan of pianist Sir Roland Hanna is a riveting one. Featuring the maestro alone, playing what must have been some of his favorite charts, was carefully thought out. And though it does not come with too many of Hanna's own compositions it does--like Jaki Byard's fable recordings, ...

210

Article: Album Review

Pi-Hsien Chen: Arnold Schonberg - Works for Piano

Read "Arnold Schonberg - Works for Piano" reviewed by Raul d'Gama Rose


The very first striking aspect of Arnold Schönberg's Works for Piano, is that few of these piano pieces are longer than a few minutes; some of them, the fragments, are not even that long. However, their impact goes far beyond bringing absolute delight to the ear; these are works of a highly evolved artist, whose significance ...

154

Article: Album Review

Harrison Bankhead Sextet: Morning Sun, Harvest Moon

Read "Morning Sun, Harvest Moon" reviewed by Raul d'Gama Rose


Harrison Bankhead's uniqueness is not restricted solely to his bass playing, which is touched by the melodicism of Ray Brown and the authority and inventiveness of Charles Mingus in a voice singularly his own. Bankhead is a composer with a sensibility finely attuned to a painterly impressionism, while being unafraid to fly in the face of ...

247

Article: Album Review

Morton Feldman: Neither

Read "Neither" reviewed by Raul d'Gama Rose


Neither is not an opera in any sense of the conventionally accepted form. There is no story, a dramatis personae of just one; no mise-en-scène... and no libretto; just 87 words by the poet and playwright, Samuel Beckett, set down on a page as if it were poetry. While there is a distinct drama in the ...


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