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Ornette Coleman: New York Is Now & Love Call Revisited
by Mark Corroto
These sessions, the last two Ornette Coleman would record for Blue Note Records, in April and May of 1968, are generally remembered for the rhythm section. Was it Coleman or producer Francis Wolff that invited John Coltrane's former sidemen, bassist Jimmy Garrison and drummer Elvin Jones to record? Was this a scheme to draw the Coltrane ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Why Not? Porto Novo! Revisited
By Marion Brown
Label: Ezz-thetics
Released: 2021
Track listing: La Sorella; Fortunato; Why Not; Homecoming; Similar Limits; Sound Structure; Improvisation;
QBIC; Porto Novo.
The Afro Algonquin Trio Live at Michiko Studios
by Karl Ackermann
The Afro Algonquin Trio Michiko Studios New York, NY November 20, 2021 The TrioLee “Mixashawn" Rozie is a member of the Maheekanew Confederacy of Algonquin-speaking people. Rozie is Mohegan and his name “Mixashawn" means “the messenger on the wind." The multi-instrumentalist has not been heavily recorded over his long career, perhaps, ...
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Christopher Kunz & Florian Fischer: Die Unwucht
by Chris May
Saxophone and drums duos--usually that means tenor saxophone and drums--got serious in the mid 1960s, when pianist McCoy Tyner and bassist Jimmy Garrison would lay out during performances by John Coltrane's classic quartet to allow Coltrane and drummer Elvin Jones to pursue their mutual shamanistic muse together. One such occasion is preserved on One ...
The Pandemic Sessions: Duos, Part 1
by Mark Corroto
After the initial shock of the COVID-19 crisis and subsequent lockdown, artists did what artists do. Unable to tour, many musicians created solo projects. Musicians, like other sentient beings though, crave contact, so when some of the most severe restrictions lifted, duos were formed and production returned. These small positive steps (note: some were recorded before ...
Adam Kahan: Capturing the Essence of Jazz in a Film
by Victor L. Schermer
Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...
John Coltrane: Top Ten Live Albums
by Chris May
This article is a companion piece to John Coltrane: An Alternative Top Ten Albums, which listed ten albums widely regarded as essential items in John Coltrane's discography and discussed another ten of comparable importance. John Coltrane: Top Ten Live Albums narrows the focus to club and concert recordings. Coltrane's live performances had a ...
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