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Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
Howard University Jazz Ensemble: Hi-Fly
by Jack Bowers
In 2020, the superb Howard University Jazz Ensemble from the US capital marked its forty-fifth anniversary. Since its inception in 1975, the ensemble has had only one director, Fred Irby III, its founder and guiding force for lo these many years. One year after organizing the group, Irby assembled its members for a visit to a ...
The Word from Johannesburg, Part I: Nduduzo Makhathini
by Karl Ackermann
In 1919, the Pasadena Evening Post said: “the friends of Mr. Whiteman have with much enthusiasm bestowed the title of “King of Jazz" upon him." While Paul Whiteman was heavily criticized for wearing the crown, it was not one that was self-attributed or with which he felt completely comfortable. But Whiteman was a brilliant marketer and ...
Michael Musillami and Peter Madsen: Pictures
by Troy Dostert
Guitarist Michael Musillami and pianist Peter Madsen have long traveled in the same circles, with Musillami's Playscape label showcasing both musicians in a number of their independently derived projects. But they don't often get to work side-by-side. Aside from Musillami's sextet record, Dachau (Playscape, 2006), the two have only appeared together previously on duo disc, Part ...
New albums from Art Hirahara, Krzysia Górniak and Kate Amrine
by Bob Osborne
There are excellent newly released albums on this week's show from guitarist Krzysia Górniak and trumpeter Kate Amrine. I am also featuring the fantastic new release from pianist Art Hirahara and music from other projects by the artists involved with that album. In between some archive cuts with classic jazz from across the years. ...
World Jazz Quintet: Live At QPAC Theatre
by Troy Dostert
Although all the members of the World Jazz Quintet are New York-based, the group's name does evoke the global palette of its music. Led by pianist Francis Hon—who, on his trio outing Before Dawn (2018), worked within pop and classical idioms in addition to conventional jazz—the World Jazz Quintet incorporates traditional Asian folk musics and a ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Highlights of Jazz in the Late 1990s (1995 - 1999)
by Russell Perry
This is the 96th of 100 programs in the Jazz at 100 series. As we present more recent music, we face the historian's dilemma, what performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? We are following the lead of critic ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
