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A Swell Farewell...and Onward
by Dan Morgenstern
On April 13, Rutgers University-Newark threw a swell party for me on the occasion of my retirement as director of the Institute of Jazz Studies. I won't go into the social and musical details here, but do want to thank all my friends who showed up, and the many others who sent regrets--notably Sonny Rollins, whose ...
Newport Jazz Festival As Strong As Ever
by R.J. DeLuke
CareFusion Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 6-8, 2010 It may seem like a small thing, but it's nice that the jazz festival in Rhode Island last weekend, August 6-8, was called the CareFusion NewportJazz Festival. No matter how you slice that, it's the Newport Jazz Festival, in the ...
Where the Dark and the Light Folks Meet
by Daniel Kassell
Where the Dark and the Light Folks Meet Randall Sandke Hardcover; 288 pages ISBN: 0-8108-6652-8 Scarecrow Press 2010In Where the Dark and the Light Folks Meet, musician and author Randall Sandke tackles the stubborn and controversial question of whether jazz is the product of ...
Two Tributes to Bille Holiday: Dee Dee Bridgewater and Stepanie Nakasian
by Joel Roberts
Dee Dee Bridgewater Eleanora Fagan (1915-1959): To Billie with Love from Dee Dee Emarcy 2010 Stephanie Nakasian Billie Remembered: The Classic Songs of Billie Holiday Inner City 2010 Dee Dee ...
Randy Sandke's New Book "Where the Dark and Light Folks Meet - Race and the Mythology, Politics, and Business of Jazz" Has Just Been Published on Scarecrow Press
Randy Sandke tackles the stubborn and controversial question of whether jazz is the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination; or whether it is more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture. This ...
Creator vs. Interpretor
by AAJ Staff
By Randy Sandke We've all heard the saying that “Jazz is America's classical music." Implicit in this notion is the belief that jazz is equally worthy of respect, admiration and support as any 'serious' music. Over the past few decades, jazz has indeed found a greater degree of prestige, academic interest and corporate sponsorship ...
Benny Goodman: Benny Goodman Yale University Archives Volume 1
by Andrew Velez
The sound of the opener is unmistakable; it's the familiar, driving urgency of Benny Goodman's clarinet, which made him the undisputed “King of Swing," heard again in all its electrifying glory on “Sweet Georgia Brown," the 1967 take which opens this collection. Recorded live in New York's old Rainbow Grill, Goodman is in solid company with ...
Bob Florence Limited Edition / Dizzy Gillespie All-Star Big Band / Dana Legg Stage Band / John Burnett Swing Orchestra
by Jack Bowers
Bob Florence Limited Edition Legendary MAMA 2009 “Legendary" is a word that is often misused and shamelessly over-used, and in this case entirely appropriate. Even though composer / arranger / pianist Bob Florence is no longer with us, and wasn't in the studio when his Limited Edition recorded ...
George Wein: Back to Doing His Thing
by R.J. DeLuke
Not many people stand in shoes similar to the ones in which jazz impresario George Wein now finds himself. Having invented the jazz festival more than half a century ago, his name is synonymous with the Newport Jazz Festival, his first and most well-known child of that genus. He led a company that expanded on the ...
John Burnett Swing Orchestra: West of State Street/East of Harlem
by Ken Dryden
England native John Burnett has been a part of the Chicago jazz scene for some time. He presently hosts a weekday jazz radio program on WDCB and is also the conductor of his own Swing Orchestra (formed in 1999) which focuses on big band music of the '40s. Recorded live early last year ...
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