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Kosi: Onwards and Upwards
by Sammy Stein
Akosua Gyebi, known as Kosi, has a voluptuous, mesmeric voice and has just released her first solo album One More Cup Of Coffee on her own label which received positive reviews. Kosi is a songstress who tells stories through her music. In her songs, you find tales of the seedier side of New York, the darker ...
Miles Davis’ Birth of The Cool: Origins of the Cool Jazz Movement
by Jeff Winke
Hands down the best name for a jazz album is Birth of the Cool. It doesn't make it to The 100 Greatest Jazz Albums of All Time nor is it among the Village Voice's Ten Jazz Albums to Hear Before You Die, yet the Miles Davis album, Birth of The Cool, was a pivot ...
Buddy Bolden: The insane life of the Founding Father of Jazz
by Jeff Winke
The roots of American jazz twist, turn, and spiral all the way back to the turn of the century... not this century, but the last century. In the 20th century's first decade down in New Orleans, the story is told that one could frequently hear a cornet (which is similar to a trumpet) squawking ...
Being Grateful: Defining the Jazz Years Part One - 1973
by Jacob Hobson
Jazz, like the Grateful Dead, has never been particularly easy to define. It seems jazz, in its most simply defined meaning, is improvised music. The Grateful Dead have been called a thousand different things since its official formation in 1965, but has rarely been called a jazz band. There have always been and will always be ...
Edmar Castaneda: A World Of Music
by Ian Patterson
The harp may be the least common instrument in jazz/improvised music--even the humble kazoo gets more of a run out. Dating back over 5,000 years to ancient Mesopotamia, the harp in its various guises is common to nearly all cultures across the continents. Throughout Asia, Africa and Latin America the harp is an important element of ...
Memories in Motian
by Zeno De Rossi
Soon after hearing about Paul Motian's passing (November 22, 2011) I felt the urge to delve (again) into his music. Later on, inspired by a moving writing by Ellery Eskelin (published on his website and reproduced below, by his kind permission), I thought it would have been interesting to collect brief memories from ...
An American in Paradise: The sense of Belonging of Andy Narell
by Nigel Campbell
American pannist (steel pan soloist) and composer Andy Narell is an iconoclast who fearlessly challenges the narrow definitions of acceptable pan music. He is global, and his usefulness as an ambassador for Trinidad and Tobago's national instrument is tainted by suspicion long held by panmen (steel pan players) and the steel pan fraternity in general here. ...
Iva Bittova: Knowing, Feeling...
by Ian Patterson
[Note: This article was first published in Music & Literature, a North American magazine dedicated to promoting artists worthy of wider attention] Iva Bittová is a rare talent. She has developed a personal idiom and vocabulary that is almost entirely her own. Her sound, her very personal language, forged from the union of ...
Father John D'Amico Remembered
by Bruce Klauber
The job of “house pianist" at the long-running 23rd Street Cafe Tuesday night jam session in Philadelphia requires equal amounts of the following: Versatility, creativity, generosity, understanding, good humor, patience, even temperament, positive disposition, and overall, the ability to not take things too seriously. Pianist Father John D'Amico, who held that piano chair for ...
Julie Sassoon: Dancing in the Shadows
by Duncan Heining
It's been seven years since British pianist and composer Julie Sassoon released her first solo CD, New Life (Babel). Since then, she and her family have moved to Berlin and Sassoon has quietly established herself in Germany as an unusual and unique talent. It's been a long wait for fans but her new live album, Land ...
