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Joel Harrison 7: Search
by John Kelman
Over the past decade, Joel Harrison has created a body of work distinct in its eclectic and multifaceted reach. Compositionally, the guitarist has worked in a variety of contexts, from the ambitious five-movement suite for string quartet and jazz quintet of The Wheel (Innova, 2008) and the pan-cultural, genre-busting Harbor (HighNote, 2007), where he found a ...
Steve Lehman Trio: Dialect Fluorescent
by Mark Corroto
Decoding the music of saxophonist Steve Lehman has become a diversion for many a jazz listener (and critic). Sometimes composed with the help of programming software, his harmonies are meshed with mercurial rhythms. When played by his octet, his music gives the impression that it requires a scorecard to keep tabs on its perplexing complexities.
Philip Glass: Einstein on the Beach
by Nenad Georgievski
Philip GlassEinstein on the BeachNonesuch2012 (1993)Music has a tremendous ability to affect human emotions in a very inexplicable manner. It offers a way of communication rooted in emotions rather than in meaning. On the other hand, throughout the ages, music has never lacked controversy and has always been ...
Umbria Jazz Winter #19, Days 1-2: December 28-29, 2011
by Sara Villa
Days 1-2 | Days 3-5 Umbria Jazz Winter #19 Perugia, Italy December 28, 2011-January 1, 2012 In an Italy where the cuts inflicted to the cultural sector by the last Berlusconi government led a figure like Riccardo Muti to publically express his indignation, Umbria Jazz Winter # 19 was a confirmation ...
Enrico Rava: To Be Free or Not To Be Free
by Ian Patterson
Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...
Hakon Kornstad: Symphonies In My Head
by John Kelman
Håkon Kornstad Symphonies in My Head Jazzland Records 2011 Amidst a nation of musicians who fearlessly and seamlessly find ways to marry music and technology on the most human of terms, Håkon Kornstad still stands alone. Armed with an array of saxophones, flutes and weird hybrids like the flutonette ...
Keith Jarrett: Rio
by Orlando Bird
Keith Jarrett's first solo piano album, Facing You (ECM, 1972), came out nearly forty years ago; since then he's become the high priest of piano improvisation, famed for his ability to walk onstage and, as a bemused Vladimir Ashkenazy put it, “play all the right notes" on the spot. Koln Concert (ECM, 1975) has sold almost ...
Josh Nelson: Discoveries
by Dan Bilawsky
Nothing fuels the creative impulses like the art of discovery. A new chord voicing can unlock a door to a different world, and different rhythmic permutations can prove to be an endless source of inspiration, but discovering these things and utilizing them to good effect are two different things. Few artists can see the world through ...
Monterey Jazz Festival: Monterey, CA, September 16-18, 2011
by Larry Taylor
54th Annual Monterey Jazz Festival Monterey Fairgrounds Monterey, CA September 16-18, 2011 The Monterey Jazz Festival--still going strong after 54 years. What's more, this year, Sept. 16-18, it was better than ever: the music was great; weather warm yet crisp and the atmosphere bucolic at the Monterey County Fairgrounds in Northern ...
Helen Sung: San Diego, CA, September 15, 2011
by Dan McClenaghan
Helen SungDizzy'sSan Diego Wine and Culinary Arts CenterSan Diego, CA September 15, 2011 From post World War II through the 1970s, what is now called San Diego's “Gaslamp Quarter," centered on 5th Avenue in the in the city's downtown, was a neon-lit area of beer bar dives, pornographic theaters, ...
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