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Vintage Dolphy
by Duncan Heining
Vintage Dolphy appeared originally in 1986/7 on both vinyl and CD. Featuring recordings from three separate live performances from Eric Dolphy, two at Carnegie Hall, both with his own quartet and in two 'third stream' settings devised by Gunther Schuller, the album provided intriguing insights into Dolphy's improvisational skills and approach. Were this not enough, the ...
Franco D'Andrea: Il pianoforte come sintesi di colori
by Paolo Marra
Franco D'Andrea non è certo un musicista abituato a guardarsi indietro nonostante ormai da decenni rappresenti l'eccellenza del jazz italiano con più di duecento dischi incisi e svariati premi vinti. Il segreto di questa longevità artistica è da ritrovare nella sua capacità di aggiornare continuamente il suo lessico pianistico composto da riferimenti antropologici alla musica africana ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Hal Galper Trio: The Zone: Live At The Yardbird Suite
by Dan McClenaghan
Pianist Hal Galper has rounded out a career spanning five decades with his stint at Origin Records, beginning with Furious Rubato (2007) and wrapping things up--or so it was rumored--with 2018's Cubist. Most of these are trio affairs featuring bassist Jeff Johnson and drummer John Bishop, with Cubist adding saxophonist Jerry Bergonzi to the mix. All ...
David Sanborn: The Curtain Rises on Sanborn Sessions
by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
Bob Sheppard: The Clark Kent of Jazz
by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...
Pureum Jin: The Real Blue
by Jack Bowers
Although alto saxophonist Pureum Jin would no doubt shrug her shoulders and ask “what's the big deal," the fact remains that she is a South Korean woman playing American jazz and doing so in a way that affirms conclusively that the country's inbred art form is not only universal but gender-neutral. On her debut album, the ...
Take Five with Ed Palermo
by AAJ Staff
Meet Ed Palermo Ed Palermo is an arranger, composer and alto saxophonist mostly known for his big band and their interpretations of the music of Ed's hero, Frank Zappa. Coming out of college in Chicago, his initial plan was to become a great jazz tenor saxophonist in the vein of Michael Brecker, Steve Grossman and Dave ...
Landing in Pittsburgh and Loving It Madly
by Nicholas F. Mondello
Now that his early mentor, Phil Woods as left the room, Richie Cole is arguably the most genuine acolyte of classic alto Bop tradition on the jazz scene today. With four albums released over the last four years, Cole is certainly letting it all fly. Always a player of terrific technical skills, Cole's work delivers consistent ...
A Lousy Day in Harlem is a great day for jazz with The Ed Palermo Big Band! Available now!
A Lousy Day in Harlem is a great day for jazz with The Ed Palermo Big Band, as the band known for reinventing the music of Frank Zappa turns its attention to a riveting program of Monk, Coltrane, Ellington, and hard-swinging originals, confirming Ed Palermo’s place in jazz’s top ranks of contemporary big band arrangers. In a ...
