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Take Five with Ed Palermo

by AAJ Staff
Meet Ed Palermo Ed Palermo is an arranger, composer and alto saxophonist mostly known for his big band and their interpretations of the music of Ed's hero, Frank Zappa. Coming out of college in Chicago, his initial plan was to become a great jazz tenor saxophonist in the vein of Michael Brecker, Steve Grossman and Dave ...
Landing in Pittsburgh and Loving It Madly

by Nicholas F. Mondello
Now that his early mentor, Phil Woods as left the room, Richie Cole is arguably the most genuine acolyte of classic alto Bop tradition on the jazz scene today. With four albums released over the last four years, Cole is certainly letting it all fly. Always a player of terrific technical skills, Cole's work delivers consistent ...
A Lousy Day in Harlem is a great day for jazz with The Ed Palermo Big Band! Available now!

A Lousy Day in Harlem is a great day for jazz with The Ed Palermo Big Band, as the band known for reinventing the music of Frank Zappa turns its attention to a riveting program of Monk, Coltrane, Ellington, and hard-swinging originals, confirming Ed Palermo’s place in jazz’s top ranks of contemporary big band arrangers. In a ...
The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)

by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...
Ben Sidran on 50 years in jazz

by Leo Sidran
In this podcast, the multifaceted Ben Sidran (my dad) on his 76th birthday, talks about on falling in love with bebop as a young boy, counter culture in the 1960s, jazz as a form of journalism, how to get paid like a musician, his proudest moments, writing a misunderstood rock and roll anthem, getting to Carnegie ...
Phil Woods, Tito Puente and More

by Joe Dimino
This week we start with a cat straight outta Cuba. Horacio El Negro" Hernandez does his magic on the drums with his Italuba Big Band followed by the great Dizzy Gillespie and Tito Puente. We then hear a mix of Django Reinhardt, Melissa Aldana and Longineu Parsons. We profile the great Montreal cat Jacques Kuba Séguin ...
Newk, Clarinet Madness & More

by Marc Cohn
June 2019 was one of those months with 5 Saturdays, so we got to play around with the music more. As usual, a mix of newer music from the likes of Theo Hill, Kate Reid and Anat Cohen--the latter two duos with Fred Hersch on piano. Then we have two, yes two, compare and contrast": one ...
Rick Lawn: The Evolution of Big Band Sounds in America

by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Greg Abate & The Tim Ray Trio: Gratitude: Stage Door Live @ the Z

by Jack Bowers
If somehow you haven't yet heard saxophonist Greg Abate (pronounced Uh-BAH-tay), now in his seventh decade and as sharp and eloquent an orator as ever, it is high time you did. The Rhode Island native is an earnest post-bopper from the Phil Woods / Bud Shank school of straight-on swinging, and Gratitude, Abate's fourth album with ...
Jay Anderson: Deepscape

by Karl Ackermann
Jay Anderson took up the acoustic bass as a pre-teen, earned a Bachelor's Degree in Performance from CSU and cut his teeth playing with the Woody Herman Orchestra, right out of school. His deep resume includes classical performance with the Australian Chamber Orchestra, alternative music with Frank Zappa and Tom Waits, and pop with David Bowie. ...