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Kieran Hebden / Steve Reid / Mats Gustafsson: Live At The South Bank
by Mark Corroto
If abstract expressionist painter Jackson Pollock could be asked how his instant drip paintings reflect the entire history of modern art, he might have replied that his body movements, splatters, flinging, flipping and pouring of paint act as a channel for all this painterly knowledge--and that of his forefathers and contemporaries. Likewise, this two-disc set of ...
Joe McPhee and Decoy: Cafe Oto, London, October 29, 2011
by John Sharpe
Although at an age when many might be happier looking to past glories, multi-instrumentalist Joe McPhee still seeks new answers to the questions posed by music-making on the fly. Given the success of the solutions proffered in the concert which produced the acclaimed Oto (Bo Weavil, 2009), it was only a matter of time before the ...
Joe McPhee / Michael Zerang: Creole Gardens (A New Orleans Suite)
by John Sharpe
In these recessionary times, the duet offers the optimum solution: the opportunity for dialogue and interaction, but with logistics and expense kept to a minimum. Of course, such strictures are nothing new for the avant-garde, those flowers which bloom between the cracks in the marginal wastelands. Multi-instrumentalist Joe McPhee's résumé includes more than its fair share ...
The Claudia Quintet: What Is the Beautiful?
by Mark Corroto
American poet Kenneth Patchen (1911-1972) has been a favorite of musicians for over half a century, from composer John Cage to saxophonist Peter Brötzmann and bassist William Parker. This everyman writer, considered to be the “father of the Beats," is their direct link to Walt Whitman and William Blake.Before Jack Kerouac performed his poems ...
Andre Goudbeek / Le Quan Ninh / Peter Jacquemyn: Uwaga
by Jerry D'Souza
The Alchemia, in Krakow, Poland, has long been the venue for a series of free jazz and improvised music concerts. The lineup never flags for want of extraordinary musicians, and time has witnessed the likes of Ken Vandermark, Barry Guy, William Parker and Peter Brötzmann on that stage. Alto saxophonist André Goudbeek, bassist Peter Jacquemyn and ...
Akira Sakata and the Ghost of Albert Ayler
by Mark Corroto
For so very long, since Albert Ayler's death in 1970, the faithful have been, to paraphrase Bruce Springsteen, “hiding 'neath their covers, studying their pain...wasting their summers, praying in vain for a savior to rise from these streets."And for the last 40 years, Japanese saxophonist Akira Sakata has been a hero, and that's understood. ...
The Thing, London, October 4, 2011
by John Sharpe
The ThingCafe Oto,London, UKOctober 4, 2011 Back in London for the second time in under a year, The Thing held court in north London to a Cafe Oto rammed with a gratifyingly young crowd. When the Scandinavian trio, comprising the Norwegian rhythm pairing of drummer Paal Nilssen-Love and bassist Ingebrigt Håker ...
Joe McPhee: A Band Apart
by Clifford Allen
You might expect a musician who has been a steady figure on the creative improvising scene for nearly 45 years to have some variance in their discography and a diverse range of projects and band concepts. Reedman (and sometime pocket trumpeter) Joe McPhee's vast number of recordings and ensembles speak to that impulse, but the curious ...
Rob Brown: Unknown Skies
by John Sharpe
Each year alto saxophonist Rob Brown brings a project to NYC's annual Vision Festival. Among the most raw and compelling was this stellar trio, featuring pianist Craig Taborn and drummer Nasheet Waits, which graced the 2009 gathering but had gone unrecorded, until now. Fortunately the voguish Paris-based Rogue Art imprint has issued a fine live recording ...
Kumiko Takara/Massimo Pupillo/Paal Nilssen-Love: Raids On The Unspeakable
by Eyal Hareuveni
This limited edition, 12" vinyl album features a rare meeting of threeof-a-kind powerhouse musicians who blur the boundaries between contemporary improvised music, avant-rock and shifting grooves. Norwegian drummer Paal Nilssen-Love and Italian electric bassist Massimo Pupillo (founding member of punk-jazz trio Zu) are the driving rhythm section behind saxophonist Peter Brötzmann's Hairy Bones quartet, and collaborated ...
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