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14

Article: Album Review

Free Jazz Group Wiesbaden: Frictions / Frictions Now

Read "Frictions / Frictions Now" reviewed by Glenn Astarita


When an obscure buried treasure is reincarnated and unexpectedly arrives in your mailbox, it often looms as a source of interest. Case in point is this little known Wiesbaden, Germany-based experimental jazz group that formed in the late 1960s and recorded two limited edition LPs: Frictions (1969, Self-produced) and Frictions Now (1971, Self-produced). At the time, ...

5

Article: Album Review

Free Jazz Group Wiesbaden: Frictions / Frictions Now

Read "Frictions / Frictions Now" reviewed by John Sharpe


History is written by the victors. That holds as true for art as for war. When looking for pioneers from the formative days of free jazz in Germany, the names of reedmen Peter Brötzmann and Gunter Hampel, trumpeter Manfred Schoof and pianist Alexander von Schlippenbach are likely to spring to mind. But now the Lithuanian No ...

Article: Album Review

Edward Ricart, Tim Daisy: Yiu Ja Ley

Read "Yiu Ja Ley" reviewed by Giuseppe Segala


Registrato a Chicago nel 2011, questo intenso lavoro che coinvolge le chitarre di Edward Ricart e la batteria di Tim Daisy viene pubblicato ora dall'etichetta di New Atlantis Collective, un gruppo di musicisti impegnato come laboratorio creativo, fondato e animato dallo stesso Ricart. A dire il vero, in questo caso è improprio parlare di duo, in ...

3

Article: Album Review

Sant'anna Arresi Quintet By Evan Parker: Filu ‘E Ferru

Read "Filu ‘E Ferru" reviewed by Mark Corroto


The differences between British free jazz and American is an often debated subject. Certainly in the 1960s, at the genesis of free playing, the ocean's divide between continents was easily identifiable. The African and African/American tradition of Jazz informed the experiments of the Art Ensemble of Chicago, John Coltrane, and Anthony Braxton, while the UK players ...

2

Article: Lyrics

Piccola guida al nuovo jazz italiano

Read "Piccola guida al nuovo jazz italiano" reviewed by Luca Canini


Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...

8

Article: Album Review

Luís Lopes/Jean-Luc Guionnet: Live At Culturgest

Read "Live At Culturgest" reviewed by Mark Corroto


All great art invokes the imagination. Think of your favorite movie and the two hours of viewing that transported you into a different world. Music can accomplish the same ends. Take this live date at Culturgest in Lisbon. The meeting between Portuguese guitarist Luís Lopes and French saxophonist Jean-Luc Guionnet creates that same cathartic response.

13

Article: Album Review

Rodrigo Amado: This Is Our Language

Read "This Is Our Language" reviewed by John Sharpe


The title of Portuguese saxophonist Rodrigo Amado's latest offering pays unmistakable homage to the late Ornette Coleman. This Is Our Music (Atlantic, 1961) constituted one of Ornette's uncompromising early manifestos, while In All Languages (Caravan of Dreams, 1987) served to reveal both the differences and the similarities between his classic quartet and the electric Prime Time ...

5

Article: Album Review

John Dikeman/William Parker/Hamid Drake: Live at La Resistenza

Read "Live at La Resistenza" reviewed by Mark Corroto


The subtitle to Charles Mingus' composition “Gunslinging Bird" is “If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats," refers to the great alto saxophonist's ability to dominate a bandstand and quiet any and all comers. Parker, who died in 1955, might not have known about automatic weapons, nor the free jazz ...

Article: Album Review

Ballister: Dave Rempis, Fred Lonberg-Holm, Paal Nilssen-Love: Worse for the Wear

Read "Worse for the Wear" reviewed by Angelo Leonardi


Cinque dischi in cinque anni non sono male per un trio dalla spiccata identità free, con innesti rumoristico/elettronici. Nato nel 2011, Ballister è formato dal sassofonista Dave Rempis, dal violocellista Fred Lonberg-Holm e dal batterista norvegese Paal Nilssen-Love, tutti partner -a vario titolo -di Ken Vandermark e dei massimi strumentisti radicali che fanno base ...

19

Article: Interview

Maciej Lewenstein: Quantum Mechanics of Polish Jazz

Read "Maciej Lewenstein: Quantum Mechanics of Polish Jazz" reviewed by Cezary L. Lerski


Maciej Lewenstein was born in 1955 in Warsaw. He is a theoretical physicist and currently an ICREA professor at Institut de Ciències Fotòniques (ICFO) in Castelldefels near Barcelona, Spain. He has written more than 500 scientific papers and is the recipient of many international and national prizes. Next to theoretical physics his other passion is music ...


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