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Carrie Wicks: Reverie
by Paul Rauch
Seattle-based vocalist Carrie Wicks is back with her fourth effort on the Origin label, and while there are many similarities stylistically with her previous efforts, Reverie more draws from the original compositions of Wicks and her partners Ken Nottingham and Nick Allison. One of the commonalities between the recordings is Wicks' insight into putting ...
Ben Markley: Slow Play
by Paul Rauch
Pianist/composer Ben Markley has shown deft touch in hand picking projects that express the broad range of his relationship with the music. Since 2017 he has produced a rousing big band tribute to Cedar Walton, and a slick quartet record with saxophonist Greg Osby. Clockwise: The Music of Cedar Walton (OA2, 2017) featured Markley's insightful arrangements ...
Kiki Valera: Vivencias En Clave Cubana
by Paul Rauch
Son Cubano is a genre of music and dance originating from the hill country of eastern Cuba during the 19th century. Its origins are a blend of African and Spanish influences. Son vocal style and meter are of Spanish tradition, while its identifiable clave rhythm, call and response, and percussive elements are of Bantu origin.
Brittany Anjou: Visionary Soul
by Paul Rauch
I began a series of interviews with Seattle-based musicians in the summer of 2016, with half being dedicated to female instrumentalists. After my last interview with bassist Chuck Deardorf, I was given a new piano trio release on the Seattle based Origin Records label by New York based, Seattle born and bred musician Brittany Anjou. Named ...
Roxy Coss: Quintet
by Paul Rauch
At times, saxophonist Roxy Coss can appear to be a whirlwind. Over the past decade, Coss has firmly established herself as a saxophonist, bandleader, composer, and activist. She has toured extensively, most notably with trumpeter Jeremy Pelt. She founded Women In Jazz Organization (WIJO) to combat misogyny in jazz culture, and create gender equity in terms ...
Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution
by Paul Rauch
It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...
Greta Matassa: Portrait
by Paul Rauch
Greta Matassa has made choices in her career that have sacrificed some visibility in exchange for lifestyle. Yet the Seattle based vocal artist has established herself firmly as one of America's finest singers, and one of the best that jazz has to offer in the new century. To this point, the jazz public at large had ...
Alexa Tarantino: Winds of Change
by Paul Rauch
It is time we stop referring to saxophonist Alexa Tarantino as one of the “on the rise" young stars in jazz. She has arrived, and by the sound of things, she is here to stay. Sure, her new release Winds of Change is her debut solo recording as a leader, but her playing is well documented ...
Xavier Lecouturier: Carrier
by Paul Rauch
21 year old drummer and composer Xavier Lecouturier seems like he's been around for a while. There is a maturity about his playing one witnesses on the bandstand, a lack of fear of moving and directing flow, of steering time in waves of variance. The fact of the matter is, he hasn't been here long at ...
Naomi Moon Siegel: Live at Earshot
by Paul Rauch
Trombonist and composer Naomi Moon Siegel burst onto the national scene through eight formative and enlightening years in Seattle. Steeped in the explorative jazz and improvised music scene there, she discovered her unique voice playing in projects such as Wayne Horvitz's Royal Room Collective Music Ensemble, and the folk/jazz duo Syrinx Effect with saxophonist Kate Olson. ...
