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12

Article: Album Review

Greta Matassa: Portrait

Read "Portrait" reviewed by Paul Rauch


Greta Matassa has made choices in her career that have sacrificed some visibility in exchange for lifestyle. Yet the Seattle based vocal artist has established herself firmly as one of America's finest singers, and one of the best that jazz has to offer in the new century. To this point, the jazz public at large had ...

2

Article: Album Review

Alexa Tarantino: Winds of Change

Read "Winds of Change" reviewed by Paul Rauch


It is time we stop referring to saxophonist Alexa Tarantino as one of the “on the rise" young stars in jazz. She has arrived, and by the sound of things, she is here to stay. Sure, her new release Winds of Change is her debut solo recording as a leader, but her playing is well documented ...

9

Article: Album Review

Xavier Lecouturier: Carrier

Read "Carrier" reviewed by Paul Rauch


21 year old drummer and composer Xavier Lecouturier seems like he's been around for a while. There is a maturity about his playing one witnesses on the bandstand, a lack of fear of moving and directing flow, of steering time in waves of variance. The fact of the matter is, he hasn't been here long at ...

4

Article: Album Review

Naomi Moon Siegel: Live at Earshot

Read "Live at Earshot" reviewed by Paul Rauch


Trombonist and composer Naomi Moon Siegel burst onto the national scene through eight formative and enlightening years in Seattle. Steeped in the explorative jazz and improvised music scene there, she discovered her unique voice playing in projects such as Wayne Horvitz's Royal Room Collective Music Ensemble, and the folk/jazz duo Syrinx Effect with saxophonist Kate Olson. ...

2

Article: Album Review

Something Blue: Maximum Enjoyment

Read "Maximum Enjoyment" reviewed by Paul Rauch


Maximum Enjoyment is a curated effort by Posi-Tone producer Marc Free to feature the label's artists individually and collectively. The recording features a talented front-line of alto saxophonist Alexa Tarantino, trombonist Nick Finzer, and tenor saxophonist Sam Dillon, backed by an uber rhythm section featuring pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston.

6

Article: Album Review

Chuck Deardorf: Perception

Read "Perception" reviewed by Paul Rauch


Before the tech revolution that has ushered in an era of unprecedented growth and global recognition, the city of Seattle was a bit of an outpost in the world of jazz. Since the 1920s, the city has enjoyed a vibrant and innovative jazz scene, often resulting in local musicians backing major international touring artists. The emerald ...

1

Article: Album Review

Elsa Nilsson & Jon Cowherd: After Us

Read "After Us" reviewed by Paul Rauch


The music of Swedish/American flutist and composer Elsa Nilsson is widely influenced, interconnecting and transcending cultural boundaries from Sweden, to northern Europe, through the heart of American jazz, and stretching south to the sounds of Rio de Janeiro. She willfully takes the leap from one musical outpost to another without compromise, along the way finding interesting ...

14

Article: Interview

Chuck Deardorf: Hanging On To The Groove

Read "Chuck Deardorf: Hanging On To The Groove" reviewed by Paul Rauch


Bassist Chuck Deardorf has gained a reputation for virtuosity and professionalism over a career that has thus far spanned 40 years. He has been the first call bassist in Seattle for most of his career, playing with some of the most renowned musicians in the history of jazz. For many years, despite having a prolific local ...

2

Article: Album Review

Jovino Santos Neto Quinteto: Por Causa De Voce

Read "Por Causa De Voce" reviewed by Paul Rauch


Brazilian pianist/composer Jovino Santos Neto came to the United Startes in 1993, and settled in the city of Seattle. He had visited the city while on tour with the legendary Brazilian musician/composer Hermeto Pascoal, and identified with the physical beauty and cultural landscape of the Pacific Northwest. No matter his global location, Santos Neto is not ...

7

Article: Album Review

Jay Thomas with the Oliver Groenewald Newnet: I Always Knew

Read "I Always Knew" reviewed by Paul Rauch


Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...


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