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Results for "Paul Motian"
Trondheim Jazzfest 2018
by Henning Bolte
Olafshallen, Dokhuset and other venues Trondheim Jazzfest Trondheim, Norway May 8-12, 2018 Trondheim, Norway's third largest city, is the country's main center of intelligence in science, engineering and technology. It holds a key place in Norwegian history and identity in general, and in jazz/music specifically. The ...
Nicolas Masson: Travelers
by John Kelman
Following two recordings for ECM Records as a member of the cooperative Third Reel (including the trio's self-titled 2013 debut), reed multi-instrumentalist Nicolas Masson strikes out on his own with Travelers, his first album as a leader for the label. Third Reel's Swiss/Italian lineup of reeds, guitar (Roberto Pianca) and drums (Emanuele Maniscalco), along ...
Yelena Eckemoff: Desert
by Dan McClenaghan
Pianist Yelena Eckemoff's backstory doesn't suggest the potential for a rise to the category of top level jazz pianist. But here she is, after emigrating to the U.S. from Russia with her husband--leaving her children (temporarily) and everything else (permanently) behind in 1991 to escape repression and to start a new life. Classically trained in her ...
Adam Kolker: Beckon
by Angelo Leonardi
Ad eccezione di un solo brano, di chiara impronta rock come “Cannonball" (inserito chissà perchè), la musica di questo disco si colloca tra due estetiche molto presenti negli anni cinquanta: il Third Stream di Gunther Schuller, John Lewis e Ran Blake e il Cool Jazz di Lee Konitz e Warne Marsh. Il trio sax, chitarra e ...
Steve Cardenas: Charlie & Paul
by Karl Ackermann
The third season of the subscription-based vinyl label Newvelle launches with a quartet led by guitarist Steve Cardenas. A Kansas City native, he cut his teeth in that city before moving to New York in the mid-1990s. Cardenas has appeared on more than fifty albums playing with Ben Allison, Jon Cowherd, Chris Cheek, Eliane Elias, Chris ...
Carl Michel: Music in Motian
by Mike Jurkovic
Late drummer, texturalist, bandleader, and composer Paul Motian holds a revered space in the post-bop of the last half century. From early stints with Lennie Tristano and Coleman Hawkins to his seared-into-legend work with Bill Evans on Sunday at the Village Vanguard (Riverside Records, 1961), and Waltz for Debby (Riverside Records, 1962)); through his fiery live ...
Rosario Di Rosa
by Vincenzo Roggero
1. Thelonious Monk, Blue Monk (Bandstand, 1988). Questo disco è un bootleg registrato al Newport Jazz Festival nel 1966. Avrei potuto inserire qualunque disco di Monk ma ho scelto questo perché è in assoluto il primo che ho acquistato all'inizio degli anni '90. All'epoca avevo appena iniziato a interessarmi al jazz, anche se non ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
Bill Frisell: Music IS
by John Kelman
The tradition of solo jazz guitar recordings is a long one, with guitarists like Johnny Smith, Al Viola, George Van Eps, Lenny Breau and Joe Pass demonstrating just how far a mere six (in some cases, seven) strings could be taken on their own as far back as the 1950s. Subsequent guitar soloists like John Abercrombie ...
Two Sides of Marc Copland: Quartet and Solo
by Jakob Baekgaard
Anyone interested in discovering the fascinating story of pianist Marc Copland should start out by reading John Kelman's excellent article: “Marc Copland: Growth Through Collaboration" (2005). It follows the trajectory of an artist that has evolved immensely throughout his career, with the most radical change being the shift in instrument from saxophone to piano. This shift ...
